Review by Publisher's Weekly Review
Amis's darkly comic study of an amnesiac young woman and the construction of selfhood. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Amis (London Fields, LJ 3/1/90) here weaves a tale of a young woman suffering from amnesia who assumes a new identity while trying to piece together the mystery of her forgotten life. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
A Mystery Story"" indeed--one in which everything is teasingly shrouded in mystery: the what, the when, the why, and (above all) the who. A young, beautiful woman wakes up (in a hospital?) and passively ventures out into London--with total amnesia, a determination to be ""good,"" and utter innocence of human ways: ""No one out there reminded her of anything much."" She takes the name Mary Lamb from overheard doggerel. She acquires bits of life-knowledge from observation and from books (mostly out-of-date). She wanders into a low-life crowd; she allows herself to be adopted by the sluttish, alcoholic Botham family (which leads to unpleasant sex and some violence); then she moves on to the Church-Army Hostel for Young Women, a waitress job, a pity-motivated liaison (her lover suicides when she drops him), and a stint in the platonic hi-rise harem of rich, burnt-out Jamie. But while ""Mary"" moves through this icily pessimistic parable of life--from innocence to fear of ""other people,"" from openheartedness to pathetic love-hunger--a cool, jaded, dangerous-sounding narrator looks in on her from time to time: ""I hope Mary will be all right. . . . She will learn fast, I'm sure. . . . If you ever make a film of her sinister mystery, you'll need lots of progress-music to help underscore her renovation at the Bothams' hands. . . ."" And another, somewhat more realistic character looks in on her too: John Prince, a policeman who believes that ""Mary"" is really Amy Hide: a missing person thought to have been murdered (a very bad girl). So eventually ""Mary"" will switch back to ""Amy,"" moving in with Prince--who'll protect her from ""Mr. Wrong,"" the man who tried to murder her. But is Prince himself the murderer--and/or a projection of Amy's own evil (the Prince of Darkness, as it were)? Or is the whole story a good/evil battle going on in Amy's pathologically divided mind? Or. . . . ? Amis (The Rachel Papers, Dead Babies) seems quite purposely--perversely, even--to have made his mystery capable of any number of interpretations: the carefully orchestrated hints (recurring words, suggestive names) will keep susceptible readers tuned in, even when Mary's much-exploited innocence becomes illogical or shtick-y. And though this weird little book ends up as a disappointment--like one of those long shaggy-dog jokes with no punchline--Amis' page-by-page narration (alternately spooky, grim, and nastily funny) offers substantial, creepy rewards along the way. Copyright ©Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
Review by Publisher's Weekly Review
Review by Library Journal Review
Review by Kirkus Book Review