Nationalists, cosmopolitans, and popular music in Zimbabwe /
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| Author / Creator: | Turino, Thomas. |
|---|---|
| Imprint: | Chicago : University of Chicago Press, c2000. |
| Description: | x, 401 p. : ill. ; 24 cm. |
| Language: | English |
| Series: | Chicago studies in ethnomusicology |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/4387241 |
Table of Contents:
- Acknowledgments
- Part One. Critical Foundations Introduction
- 1. Social Identities and Indigenous Musical Practices
- Part Two. Colonialism and the Rise of Urban Popular Music
- 2. Indigenous Music and Dance in Mbare Township, 1930-1960
- 3. The Settler-State and Indigenous Music during the Federation Years
- 4. The African Middle Class: Concerts, Cultural Discourse, and All That Jazz
- Part Three. Musical Nationalism
- 5. Music, Emotion, and Cultural Nationalism, 1958-1963
- 6. Musical Nationalism and Chimurenga Songs of the 1970s
- Part Four. Guitar Bands and Cosmopolitan Youth Culture
- 7. On the Margins of Nationalism: Acoustic Guitarists and Guitar Bands of the 1960s
- 8. Stars of the Seventies: The Rise of Indigenous-Based Guitar Bands
- Part Five. Globalization Begins at Home
- 9. Nationalism, Cosmopolitanism, and Popular Music after 1980
- Notes
- Reference and Bibliography
- Discography Index
