Body modification /
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Imprint: | London ; Thousand Oaks : SAGE, 2000. |
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Description: | 347 p. : ill., ports. ; 24 cm. |
Language: | English |
Series: | Theory, culture & society Theory, culture & society (Unnumbered) |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/4391837 |
Table of Contents:
- Body Modification
- An Introduction
- 'Modern Primitivism'
- Non-Mainstream Body Modification and Racialized Representation
- The Possibility of Primitiveness
- Towards a Sociology of Body Marks in Cool Societies
- Anchoring the (Postmodern) Self? Body Modification, Fashion and Identity
- This Body Which Is Not One
- Dealing with Differences
- Marinetti, Chopin, Stelarc and the Auratic Intensities of the Postmodern Techno-Body
- Parasite Visions - Stelarc
- Alternate, Intimate and Involuntary Experiences
- In Dialogue with 'Posthuman' Bodies
- An Interview with Stelarc
- An Order of Pure Decision
- Un-Natural Selection in the Work of Stelarc and Orlan
- Serene and Happy and Distant
- An Interview with Orlan
- The Sacrificial Body of Orlan
- Citation and Subjectivity
- Towards a Return of the Embodied Will
- Interaction Order and Beyond
- A Field Analysis of Body Culture within Fitness Gyms
- The Body as Outlaw
- Lyotard, Kafka and the Visible Human Project
- Creating 'The Perfect Body'
- A Variable Project
- Body Modification, Self-Mutilation and Agency in Media Accounts of a Subculture
- Tattoos and Heroin
- A Literary Approach
- Performing the Technoscientific Body
- Real Video Surgery and the Anatomy Theatre