Write or be written : early modern women poets and cultural constraints /
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Imprint: | Aldershot, Hants, England ; Burlington, Vt. : Ashgate Pub., c2001. |
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Description: | xxiii, 281 p. : ill. ; 24 cm. |
Language: | English |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/4439966 |
Table of Contents:
- Acknowledgments
- Introduction
- I. Strategies and Contexts
- 1.. Widow, Prophet, and Poet: Lyrical Self-Figurations in Katherine Austen's 'Book M' (1664)
- 2.. 'Public' and 'Private' in Aphra Behn's Miscellanies: Women Writers, Print, and Manuscript
- 3.. 'Household Affaires are the Opium of the Soul': Damaris Masham and the Necessity of Women's Poetry
- II. Poetic Conventions and Traditions
- 4.. Mary Wroth's Guilty 'secrett art': The Poetics of Jealousy in Pamphilia to Amphilanthus
- 5.. 'An Emblem of Themselves, in Plum or Pear': Poetry, the Female Body and the Country House
- 6.. 'So May I With the Psalmist Truly Say': Early Modern Englishwomen's Psalm Discourse
- III. Negotiating Power and Politics
- 7.. The Plural Voices of Anne Askew
- 8.. Mary Sidney and Gendered Strategies for the Writing of Poetry
- 9.. 'Subdu'd by You': States of Friendship and Friends of the State in Katherine Philips's Poetry
- IV. Writing the Female Poet
- 10.. 'First Fruits of a Woman's Wit': Authorial Self-Construction of English Renaissance Women Poets
- 11.. A Rhetoric of Innocence: The Poetry of Katherine Philips, 'The Matchless Orinda'
- 12.. 'Very Like a Fiction': Some Early Biographies of Aphra Behn
- Notes on Contributors
- Index