Impression : painting quickly in France, 1860-1890 /
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Author / Creator: | Brettell, Richard R. |
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Imprint: | New Haven ; London : Yale University Press in association with the Sterling and Francine Clark Art Institute, Williamstown, Mass., c2000. |
Description: | 240 p. : ill. (chiefly col.), ports. ; 28 cm. |
Language: | English |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/4446619 |
Table of Contents:
- Directors' foreword
- Lenders to the exhibition
- Preface and acknowledgments
- 1. Introduction
- 2. The Impression in 1874
- 3. Painting as performance: Spontaneity and its appearances in painting, and the intellectual origins of the Impression
- 4. Edouard Manet and performative painting
- 5. Claude Monet and the development of the Impression
- 6. Berthe Morisot and Auguste Renoir: The wetness of paint and the sketch aesthetic
- 7. Alfred Sisley: The Impression, graphism, and automatic writing
- 8. Could Edgar Degas paint an Impression?
- 9. Gustave Caillebotte and Camille Pissarro: Impressionists without Impressions?
- 10. Coda: Was van Gogh an Impressionist?
- Appendix. Laforgue's essay on Impressionism
- Bibliographical essay
- Checklist of exhibited paintings
- Index
- Picture credits