Constance Fenimore Woolson's nineteenth century : essays /
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Imprint: | Detroit, Mich. : Wayne State University Press, c2001. |
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Description: | 255 p. : ill. ; 24 cm. |
Language: | English |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/4489258 |
Table of Contents:
- Introduction
- Part 1. Precursors and Contemporaries: The Contexts of Woolson's Art
- Revising the Legacy of 1970s Feminist Criticism
- Negotiating Models of Authorship: Elizabeth Stoddard's Conflicts and Her Story of Complaint
- Constance Fenimore Woolson's Critique of Emersonian Aesthetics
- Heir Apparent: Inheriting the Epitome in Sarah Orne Jewett's A Country Doctor
- Romantic Love and Wife-Battering in Constance Fenimore Woolson's Jupiter Lights
- Part 2. Fractured Landscapes, Mordant Travelers: Woolson's Regionalism
- Castle Somewhere: Constance Fenimore Woolson's Reconstructed Great Lakes
- Miss Martha and Ms. Woolson: Persona in the Travel Sketches
- "Clean Forgotten": Woolson's Great Lakes Illustrated
- "We Are Most of Us Dead Down Here": Constance Fenimore Woolson's Travel Writing and the Reconstruction of Florida
- Corinne Silenced: Improper Places in the Narrative Form of Constance Fenimore Woolson's East Angels
- Fern Leaves from Connie's Portfolio
- Part 3. The Figure of the Artist: Woolson, James, and Wharton
- Anticipating James, Anticipating Grief: Constance Fenimore Woolson's "'Miss Grief'"
- The Lesbian "Impossibilities" of Miss Grief's "Armor"
- Edith Wharton's Early Artist Stories and Constance Fenimore Woolson
- Chronology of Constance Fenimore Woolson's Life
- Contributors
- Index