On film : [essays and conversations] /

On film : [essays and conversations] /

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Bibliographic Details
Author / Creator:Wenders, Wim.
Imprint:London : Faber and Faber, 2001.
Description:x, 493 p. ; 22 cm.
Language:English
Subject:
Wenders, Wim.
Wenders, Wim.
Motion pictures -- Philosophy.
Motion picture producers and directors -- Germany -- Biography.
Motion picture producers and directors.
Motion pictures -- Philosophy.
Germany.
Biography.
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/4561365
Hidden Bibliographic Details
ISBN:0571207189

MARC

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505 0 0 |t Foreword /  |r Wim Wenders --  |t Emotion Pictures: Reflections in the Cinema --  |t No 'exprmnts': filming in one shot only - thoughts on Exprmntl 4' --  |t PanAm makes the big flight --  |t Repertoire: showing and seeing, places and people, showdowns ... --  |t Silly asses, irritations --  |t One Plus One --  |t Lydia --  |t Terror of the outlaws --  |t I'm movin' on (BMI 2:50) --  |t Three rivals: The Tall Men --  |t From dream to nightmare: the terrifying Western Once Upon a Time in the West --  |t Easy Rider: a film like its title --  |t Critical calendar --  |t Despising what you sell --  |t Red Sun: on Rudolf Thome's film Rote Sonne --  |t Tired of waiting --  |t Reunion - blanche neige: Francois Truffaut's La Sirene du Mississippi --  |t Re: Bad Day at Black Rock --  |t The 10th Kinks LP - the 51st Alfred Hitchcock Film - the 4th Creedence Clearwater Revival LP - the 3rd Harvey Mandel LP --  |t Hitchcock in the cutting-room --  |t Emotion pictures: slowly rockin' on --  |t Van Morrison --  |t L'Enfant sauvage --  |t Monterey Pop --  |t A non-existent genre --  |t New hat, same old scars: Eddie Constantine --  |t The Big TNT Show --  |t On television: Furchtlosen Flieger (The Fearless Fliers) --  |t Nashville: a film that teaches you to see and hear --  |t That's entertainment: Hitler --  |t Crazy about films: the work of the projectionist Ladwig --  |t Death is no solution: the German film director Fritz Lang --  |t The men in the rodeo arena: Lusty --  |t The American Dream --  |t The Logic of Images: Essays and Conversations --  |t Why do you make films? --  |t Time sequences, continuity of movement: Summer in the City and The Goalkeeper's Fear of the Penalty --  |t The Scarlet Letter --  |t The heroes are the others: False Movement --  |t Kings of the Road --  |t The American Friend --  |t Reverse angle: New York City, March 1982 --  |t Chamber 666 --  |t Film thieves --  |t Goodbye to the booming voice of the old cinema: The State of Things --  |t Impossible stories --  |t Tokyo-Ga --  |t Like flying blind without instruments: on the turning point in Paris, Texas --  |t The growth of a small dependency --  |t An attempted description of an indescribable film: from the first treatment for Wings of Desire --  |t For (not about) Ingmar Bergman --  |t A history of imaginary films --  |t Le Souffle de l'Ange --  |t The Act of Seeing: Essays and Conversations --  |t To the End of the World: very first treatment for a film project --  |t Travelling in time --  |t The act of seeing --  |t Perceiving movement --  |t The truth of images --  |t The dubious revolution --  |t High definition --  |t Notebook on Clothes and Cities: English commentary --  |t The urban landscape from the point of view of images --  |t Find myself a city to live in --  |t He paints his socks off --  |t Winter Marchen --  |t Eye colours --  |t A step ahead of the times --  |t For the city that dreams --  |t Not alone in a big house --  |t On the future of European cinema --  |t Talk about Germany --  |t On painters, montage and dustbins --  |t 'I'm at home nowhere' --  |t King of Comedy --  |t Christ, Rainer --  |t On making it up as you go along --  |t Writing a screenplay is the worst --  |t On walls and spaces. 
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