Surrealism and the sacred : power, eros, and the occult in modern art /

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Bibliographic Details
Author / Creator:Rabinovitch, Celia.
Imprint:Boulder, Colo. : Westview Press, 2002.
Description:xxi, 290 p. : ill. (some col.) ; 24 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/4670453
Hidden Bibliographic Details
Varying Form of Title:Power, eros, and the occult in modern art
ISBN:0813365570 (alk. paper)
Notes:Includes bibliographical references (p. 233-274) and index.
Description
Summary:From archaic fetishism, found objects, dream images and free association, Surrealist artists and writers - such as Giorgio de Chirico, Max Ernst, Salvador Dali, Meret Oppenheim and Wolfgang Paalen - transformed the ordinary into the extraordinary by deliberately evoking the ambivalence of sacred power. Surrealism and the Sacred traces the conflict between the secular and sacred forces from prehistory and paganism through the Renaissance and the occult revival of the 19th century to the Surrealist movement of the 20th century. Against the tyranny of reason and the European bourgeoisie, Surrealists drew from occultism, Asian religions and mysticism, and psychoanalysis to create an uncanny and creative state of mind that continues to have a profound effect on the modern imagination. This remarkable book challenges conventional assumptions about modern art and its larger meanings in the history of knowledge.
Physical Description:xxi, 290 p. : ill. (some col.) ; 24 cm.
Bibliography:Includes bibliographical references (p. 233-274) and index.
ISBN:0813365570