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00000pam a2200000 a 4500 |
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4692181 |
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ICU |
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20031021155500.0 |
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020123s2002 ilu b 001 0 eng |
010 |
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|a 2002017547
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020 |
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|a 1566634326 (acid-free paper)
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035 |
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|a 2002017547
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040 |
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|a DLC
|c DLC
|d NhCcYBP
|d OCoLC
|d OrLoB-B
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050 |
0 |
0 |
|a PR3091
|b .F36 2002
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082 |
0 |
0 |
|a 792/.023
|2 21
|
100 |
1 |
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|a Fantasia, Louis,
|d 1949-
|0 http://id.loc.gov/authorities/names/n2002024838
|1 http://viaf.org/viaf/58434978
|
245 |
1 |
0 |
|a Instant Shakespeare :
|b a proven technique for actors, directors, and teachers /
|c Louis Fantasia.
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260 |
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|a Chicago :
|b Ivan R. Dee,
|c c2002.
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300 |
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|a 213 p. ;
|c 23 cm.
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336 |
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|a text
|b txt
|2 rdacontent
|0 http://id.loc.gov/vocabulary/contentTypes/txt
|
337 |
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|a unmediated
|b n
|2 rdamedia
|0 http://id.loc.gov/vocabulary/mediaTypes/n
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338 |
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|a volume
|b nc
|2 rdacarrier
|0 http://id.loc.gov/vocabulary/carriers/nc
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504 |
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|a Includes bibliographical references and index.
|
505 |
0 |
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|t Prelude: Banging at Swords --
|t Introduction: The Absence of Presence --
|g Pt. 1.
|t Pre-Performance - Instant Shakespeare! --
|g 1.
|t Know What the Words Really Mean - Dialogue --
|g 2.
|t The Histrionic Sensibility --
|g 3.
|t Whose Frog Is It Anyway? --
|g 4.
|t Exercise Monologues --
|g 5.
|t Know Where the Play Is Going - Structure --
|g 6.
|t Know the Rhythm and Sense of the Line - Character --
|g 7.
|t Know What the Play Is About - The Central Event.
|t Interlude: More Banging at Swords: Encounters at Shakespeare's Globe, 1981-1997 --
|g Pt. 2.
|t Aspects of Performance --
|g 8.
|t Transitions from Reading to Performance --
|g 9.
|t Scenes for Exercises --
|g 10.
|t Aspects of Performance: Breath and Impulse --
|g 11.
|t Aspects of Performance: A Practical Study of the Breath --
|g 12.
|t Isabella's Voice --
|g 13.
|t The Ephemeral Nature of the Theatrical Event --
|g 14.
|t A Philosophy of Training and Performance --
|g 15.
|t Presence and the Ontological Sensibility.
|t Epilogue: Still Banging at Swords - Optional Authenticity and Shakespeare's Globe, 1997-2001.
|
600 |
1 |
0 |
|a Shakespeare, William,
|d 1564-1616
|x Dramatic production.
|
650 |
|
0 |
|a Theater
|x Production and direction.
|0 http://id.loc.gov/authorities/subjects/sh85134542
|
650 |
|
0 |
|a Acting.
|0 http://id.loc.gov/authorities/subjects/sh85000691
|
600 |
1 |
7 |
|a Shakespeare, William,
|d 1564-1616
|2 fast
|0 http://id.worldcat.org/fast/fst00029048
|1 http://viaf.org/viaf/96994048
|
650 |
|
7 |
|a Acting.
|2 fast
|0 http://id.worldcat.org/fast/fst00796146
|
650 |
|
7 |
|a Theater.
|2 fast
|0 http://id.worldcat.org/fast/fst01149217
|
650 |
|
7 |
|a Theater
|x Production and direction.
|2 fast
|0 http://id.worldcat.org/fast/fst01149278
|
901 |
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|a ToCBNA
|
903 |
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|a HeVa
|
035 |
|
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|a (OCoLC)48892959
|
929 |
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|a cat
|
999 |
f |
f |
|i f55b6502-1cf3-5c01-91fb-f6ab05b7766e
|s ef9aa432-b3b3-5f04-bc9c-42c653849c92
|
928 |
|
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|t Library of Congress classification
|a PR3091 .F36 2002
|l JRL
|c JRL-Gen
|i 4548372
|