Musical migrations : transnationalism and cultural hybridity in Latin/o America /
Saved in:
| Edition: | 1st ed. |
|---|---|
| Imprint: | New York : Palgrave Macmillan, 2003- |
| Description: | v. : ill. ; 25 cm. |
| Language: | English |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/4801201 |
Table of Contents:
- Part 1. Caribbean Transnationalisms
- Amalgamating Musics: Popular Music and Cultural Hybridity in the Americas
- "La Cuba de Ayer/La Cuba de Hoy": The Politics of Music in the Cuban-American Community
- "Con Sabor a Puerto Rico": The Reception and Influence of Puerto Rican Salsa in Venezuela
- "Le Franccedil;ais dans la Rue": Caribbean Music, Language, and the African Diaspora
- Popular Music and Culture in Puerto Rico: Jamaican and Rap Music as Cross-Cultural Symbols
- Mambo Kings to West African Textiles: A Synesthetic Approach to Black Atlantic Aesthetics
- Part 2. Cultural Hybridity in the Americas
- Musical Frontiers inMartiacute;n Fierro
- Joseacute; Mariacute;a Arguedas's Representation ofla Danza de las Tijeras: A Contribution to the Formation of Andean Culture
- Tradition, Modernity, and Artistic Agency in Trinidad's Panorama Steelband Competition
- El Mariachi: Musical Repertoire as Sociocultural Investment
- Raza con Jazz, Rock con Raza: Latinos/as and Post-World War II Popular American Music
- Rock'n'Roll in Peru's Popular Quarters: Cultural Identity, Hybridity, and Transculturation
- Part 1. Caribbean Transnationalisms
- Amalgamating Musics: Popular Music and Cultural Hybridity in the Americas
- "La Cuba de Ayer/La Cuba de Hoy": The Politics of Music in the Cuban-American Community
- "Con Sabor a Puerto Rico": The Reception and Influence of Puerto Rican Salsa in Venezuela
- "Le Franccedil;ais dans la Rue": Caribbean Music, Language, and the African Diaspora
- Popular Music and Culture in Puerto Rico: Jamaican and Rap Music as Cross-Cultural Symbols
- Mambo Kings to West African Textiles: A Synesthetic Approach to Black Atlantic Aesthetics
- Part 2. Cultural Hybridity in the Americas
- Musical Frontiers inMartiacute;n Fierro
- Joseacute; Mariacute;a Arguedas's Representation ofla Danza de las Tijeras: A Contribution to the Formation of Andean Culture
- Tradition, Modernity, and Artistic Agency in Trinidad's Panorama Steelband Competition
- El Mariachi: Musical Repertoire as Sociocultural Investment
- Raza con Jazz, Rock con Raza: Latinos/as and Post-World War II Popular American Music
- Rock'n'Roll in Peru's Popular Quarters: Cultural Identity, Hybridity, and Transculturation