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20040520115800.0 |
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030226s2003 ctua b 000 0 eng |
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|a 2003004624
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|a 0819565938 (alk. paper)
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|a 0819565946 (pbk. : alk. paper)
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|a 792.5/09895/13
|2 21
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1 |
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|a Salgado, Susana.
|0 http://id.loc.gov/authorities/names/n81100634
|1 http://viaf.org/viaf/204630639
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|a The Teatro Solis :
|b 150 years of opera, concert, and ballet in Montevideo /
|c Susana Salgado.
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| 260 |
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|a Middletown, Conn. :
|b Wesleyan University Press,
|c c2003.
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| 300 |
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|a xxiii, 493 p. :
|b ill. (some col.) ;
|c 26 cm.
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| 336 |
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|a text
|b txt
|2 rdacontent
|0 http://id.loc.gov/vocabulary/contentTypes/txt
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|a unmediated
|b n
|2 rdamedia
|0 http://id.loc.gov/vocabulary/mediaTypes/n
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|a volume
|b nc
|2 rdacarrier
|0 http://id.loc.gov/vocabulary/carriers/nc
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|a Includes bibliographical references (p. 487-492).
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|t Foreword /
|r E. Thomas Glasow --
|t Preface /
|r Julio Maria Sanguinetti --
|g Ch. 1.
|t 1516-1829: The Solis Tradition - A Spanish Colony in the New World - The Birth of Theatrical Life: The Casa de Comedias - Tonadilla Escenica, Zarzuela, and Opera --
|g Ch. 2.
|t 1830-1856: The Italian Opera in the Americas and the Antecedents of the Teatro Solis --
|g Ch. 3.
|t 1839-1856: The Construction of the Teatro Solis - Project for a New Theater - The Zucchi Project - Eight Years of Delay - Architect Francisco Xavier de Garmendia and His New Project - Further Renovations --
|g Ch. 4.
|t August 25, 1856: The Opening of the Teatro Solis --
|g Ch. 5.
|t 1857-1858: A Triumphant Enrico Tamberlick Opens the Second Solis Season - Anna Bishop: A Soprano to Remember - Artur Napoleao and Oscar Pfeiffer: Two First Piano Virtuosi --
|g Ch. 6.
|t 1859-1866: Anna de la Grange and Raffaele Mirate: Two Stars and Three Companies in the Same Season --
|g Ch. 7.
|t 1867-1869: Louis Moreau Gottschalk, First American Pianist and Composer - His Monumental Solis Concerts - The World Premiere of Symphonie No. 2 "A Montevideo" --
|g Ch. 8.
|t 1870-1876: Carlotta Patti - Pablo de Sarasate - Two Rossini Premieres - A Great Basso Buffo: Alessandro Bottero - Luisa Gallo - Il Guarany --
|g Ch. 9.
|t 1878-1887: The First Uruguayan Opera: Tomas Giribaldi's Parisina - Francesco Tamagno's First Season at the Teatro Solis - More Debuts: Gemma Bellincioni and Roberto Stagno, Medea Mei and Nikolay Figner, Eva Tetrazzini --
|g Ch. 10.
|t 1888-1889: Adelina Patti, Nineteenth-Century Superstar - Otello's Uruguayan Premiere: Romilda Pantaleoni and Roberto Stagno - Mattia Battistini, "The King of Baritones" --
|g Ch. 11.
|t 1890-1894: Jose Oxilia: The Uruguayan Otello - Young Antonio Scotti's Falstaff - Edoardo Mascheroni: The First Notable Conductor - Seven Opera Premieres and a Famous Zarzuela --
|g Ch. 12.
|t 1895-1897: La boheme Premiere with Hariclea Darclee and Emilio De Marchi - Francesco Tamagno Singing Otello - An Ideal Werther: Fernando De Lucia - Edoardo Mascheroni Conducts Seven New Operas - Florencio Constantino's Debut --
|g Ch. 13.
|t 1898-1899: Montevideo and Its New Theaters - Luisa Tetrazzini - Two Bohemes and a Young Conductor: Giorgio Polacco - Regina Pacini - Luis Sambucetti's Suite d' orchestre --
|g Ch. 14.
|t 1900: The Turn of the Century: From "La Belle Epoque" to Challenging Times - Opera as a Fashionable Social Event - Impresarios and Opera Business - Teatro Solis Carnival Masked Balls - Opera Programs and a Vanishing Collection --
|g Ch. 15.
|t 1901-1902: Two New Stars at the Solis: Maria Barrientos and Guiseppe Anselmi - A Tosca to Remember with Hariclea Darclee and Edoardo Garbin - The Death of Maestro Luigi Preti, the Solis' First Conductor --
|g Ch. 16.
|t 1903: The Rise of a Golden Age: The Arrival of Arturo Toscanini and Enrico Caruso --
|g Ch. 17.
|t 1904-1906: Rosina Storchio and Madama Butterfly - The Opening of the Teatro Urquiza - Puccini Visits Montevideo - Toscanini Conducts the Teatro Solis Golden Jubilee - Salomea Kruszelnicka --
|g Ch. 18.
|t 1861-1918: Glitter and Gaiety at Solis Operetta Seasons - The First American Musical: The Black Crook - An Outstanding English Operetta Season - Lehar Works Close Half a Century of Frivolous and Nonchalant Operettas --
|g Ch. 19.
|t 1907-1914: Leopoldo Mugnone Conducts Massenet and Wagner Uruguayan Premieres - An Overnight Star: Amelita Galli-Curci - Mascagni's Arrival - Isabeau - Celestina Boninsegna - Guglielmo Ratcliff - Parsifal - The Ballets Russes: Vaslav Nijinsky and Tamara Karsavina --
|g Ch. 20.
|t 1914-1916: Titta Ruffo: "Not a Voice but a Miracle" - Tito Schipa - Elvira de Hidalgo - Rosa Raisa - Giovanni Martinelli - A Pagliacci to Remember - Riccardo Zandonai's Francesca da Rimini - Uruguayan Opera World Premiere: Cesar Cortinas' La ultima gavota - Camille Saint-Saens' Arrival and Performance - The French Season: Andre Messager and Xavier Leroux Conduct Their Operas - Ninon Vallin --
|g Ch. 21.
|t 1917: A Unique Performance: Artur Rubinstein and Vaslav Nijinsky - Ernest Ansermet and a New Season of the Ballets Russes - New Voices: Fanny Anitua and Marcelo Urizar - Uruguayan World Premiere: Cesar Cortinas' La sulamita - Gino Marinuzzi Conducts Puccini's La rondine Premiere --
|g Ch. 22.
|t 1918-1922: Beniamino Gigli and Claudio Muzio - Lucien Muratore - Four Uruguayan Premieres: Madame Sans-Gene, Monna Vanna, Fedra, and Le roi de Lahore - Anna Pavlova - Recitals: Yolanda Mero, Frances Nash, Edouard Risler, Artur Rubinstein, and Ricardo Vines - Felix Weingartner and the Vienna Philharmonic Orchestra --
|g Ch. 23.
|t 1923-1928: Richard Strauss Conducts Elektra and the Vienna Philharmonic - Debut of Nine Celebrated Singers - "A Gentleman of the Stage": The Baritone Victor Damiani - Two Premiers: Boris Godunov and La cena della beffe - Beethoven Centennial Concerts --
|g Ch. 24.
|t 1929-1930: A Russian Opera Season - Bidu Sayao and Jan Kiepura - Rosette Anday's Carmen - Ottorino Respighi Conducts and Plays His Works - Guiomar Novaes - Wanda Landowska - Elisabeth Schumann - Jacques Thibaud - Feodor Chaliapin - The Creation of the SODRE --
|g Ch. 25.
|t 1931-1955: Solis Versus SODRE: The Struggle for Survival - Lily Pons - The "Soler Miracle" - The Centro Cultural de Musica - An Impressive Porgy and Bess --
|g Ch. 26.
|t 1956-1984: The Teatro Solis Centennial - Political Turmoil and the Fall of the Cultural Life - The Burning of the SODRE - From a Military Dictatorship to Democracy --
|t Epilogue: Opera, Concert, and Ballet on the Teatro Solis Stage - The Beginning of a New Era - Facing the Future --
|g App. A.
|t Chronology (1856-1956) --
|g App. B.
|t Artists who Peformed at the Teatro Solis (1856-1956) (Singers, Instrumentalists, Dancers, Conductors, Chorus Masters, Opera Directors) --
|g App. C.
|t Musical Works Performed at the Teatro Solis (1856-1956) (Operas, Operettas, Ballets, Zarzuelas) --
|g App. D.
|t Instrumental Ensembles that Performed at the Teatro Solis (1856-1956) (Orchestras, Chamber Groups, Bands, Etcetera) --
|g App. E.
|t Vocal Ensembles the Performed at the Teatro Solis (1856-1956) --
|g App. F.
|t Ballet Companies that Performed at the Teatro Solis (1856-1956).
|
| 610 |
2 |
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|a Teatro Solís (Montevideo, Uruguay)
|x History.
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| 650 |
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0 |
|a Music
|z Uruguay
|z Montevideo
|x History and criticism.
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| 651 |
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|a Montevideo (Uruguay)
|x History.
|0 http://id.loc.gov/authorities/subjects/sh95002316
|
| 610 |
2 |
7 |
|a Teatro Solís (Montevideo, Uruguay)
|2 fast
|0 http://id.worldcat.org/fast/fst00660539
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| 650 |
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7 |
|a Music
|2 fast
|0 http://id.worldcat.org/fast/fst01030269
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| 651 |
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7 |
|a Uruguay
|z Montevideo.
|2 fast
|0 http://id.worldcat.org/fast/fst01206025
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| 655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 http://id.worldcat.org/fast/fst01411635
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| 655 |
|
7 |
|a History.
|2 fast
|0 http://id.worldcat.org/fast/fst01411628
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| 901 |
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|a ToCBNA
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| 903 |
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|a HeVa
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| 035 |
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|a (OCoLC)51769151
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|t Library of Congress classification
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|t Library of Congress classification
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