Renaissance art in France /

Renaissance art in France /

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Bibliographic Details
Author / Creator:Zerner, Henri.
Uniform title:Art de la Renaissance en France. English
Imprint:Paris : Flammarion ; London : Thames & Hudson, 2003.
Description:478 p. : ill. (some col.) ; 21 cm.
Language:English
Subject:
Art, Renaissance -- France.
Art -- 16th century -- France.
Art, French.
Classicism in art -- France.
Art, Renaissance.
France.
Format: Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/5060362
Hidden Bibliographic Details
ISBN:2080111442
Notes:Translation of: L'art de la Renaissance en France.
Includes bibliographical references and index.

MARC

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300 |a 478 p. :  |b ill. (some col.) ;  |c 21 cm. 
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500 |a Translation of: L'art de la Renaissance en France. 
504 |a Includes bibliographical references and index. 
505 0 0 |t Introduction --  |g I.  |t The Gothic in the Renaissance --  |t The Gothic in Printed Books --  |t The Frontispiece of Rodez or the Aesthetic of the Disparate --  |t Vitality of the Gothic --  |t Gothic or Renaissance? Flamboyant Art --  |t Nature and Function of Gothic Ornamentation --  |t The Taste for Contrast --  |t Italian Ornamentation --  |t Variegated Designs: Gisors and Chaumont --  |t Toward Synthesis: Saint Eustache in Paris and Mareil-en-France --  |t Saint Etienne-du-Mont --  |g II.  |t Fontainebleau, Rosso, and the Galerie Francois I --  |t The Chateau in the Renaissance --  |t Fontainebleau: The King at Home at Last --  |t Rosso Fiorentino --  |t The Galerie Francois I --  |t Stuccos and Frescoes: Techniques and Modes of Representation --  |t Reading Problems --  |t The Emblem --  |t The Vienna Tapestry: A Duplicate of the Galerie? --  |t Rosso in France --  |g III.  |t The Antique-Style of Classicism in the 1540s: Cellini, Serlio, and Primaticcio --  |t Benvenuto Cellini: Goldsmith, Sculptor, and Adventurer --  |t Serlio: Architect and Theorist --  |t Primaticcio: His Career and Role at Fontainebleau --  |t Primaticcio at the End of the Reign of Francois I (1540-47) --  |g IV.  |t The Lessons of Fontainebleau --  |t The Role of Prints --  |t Original Printmakers --  |t The Publication of Rosso and the Ornamental Style --  |t The Popularization of Fontainebleau Ornament --  |t Rosso, Designer of Objets d'Art --  |t Luca Penni --  |t Painting --  |g V.  |t Pierre Lescot, Jean Goujon, and the Louvre --  |t The Louvre of the Renaissance and its Authors --  |t The Jube at Saint Germain-l'Auxerrois --  |t Goujon in Rouen --  |t Pierre de Saint Quentin and the "Goujon Style" --  |t Pierre Lescot --  |t Goujon without Lescot --  |t The Fontaine des Innocents --  |t The Louvre as Architectural Decor --  |t The Interior Decoration --  |t The Ballroom --  |g VI.  |t The Clouets --  |t The Court Portrait --  |t Lady in Her Bath: Portraiture with a Difference --  |g VII.  |t Jean Cousin and Painting --  |t Felibien and the Beginnings of Painting in France --  |t Growth of the Legend and Nationalist History --  |t Maurice Roy and Archival Documents --  |t Jean Cousin and the "Primitives" --  |t The Dearth of Sixteenth-Century French Painting --  |t The Works and Style of Jean Cousin the Elder --  |t Problems of Attribution --  |t Like Father, Like Son? The Question of the Drawings --  |t The Cousin Genre? --  |g VIII.  |t Jean Cousin and the Artistic Professions --  |t Was Jean Cousin a Sculptor? Dead Stones Do Tell Tales... --  |t Tapestry --  |t Toiles Peintes: Painted Hangings --  |t Stained Glass --  |t Armor and Goldsmithing --  |t Illustrated Books --  |g IX.  |t Paris and the Provinces --  |t Local Specialities --  |t Innovation in the Provinces --  |t Three Provincial Centers: Toulouse, Lyon, and Troyes --  |t Langres, Jean Duvet, and the Cardinal of Givry --  |g X.  |t Sculpture and Death --  |t The Renewal of Sculpture c. 1400 --  |t Large-Scale Theatrical Sculpture --  |t Tombs --  |t The Tomb of Louis XII, a New Formula for the Royal Sepulcher --  |t The Tomb of Francois I and the Work of Pierre Bontemps --  |t The Tomb of Henri II - Germain Pilon --  |t Ligier Richier --  |t Death in the Garden --  |g XI.  |t A Sense of National Identity - Philibert De L'Orme --  |t Language as the Catalyst of National Awareness --  |t Philibert de I'Orme, French Author-Architect --  |t Early French Classicism. 
650 0 |a Art, Renaissance  |z France. 
650 0 |a Art  |y 16th century  |z France. 
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650 0 |a Classicism in art  |z France.  |0 http://id.loc.gov/authorities/subjects/sh2009120368 
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The Catherine Lindsay Dobson Book Fund bookplate

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