Afeni Shakur : evolution of a revolutionary /

Long before Shakur was famous for being the mother of slain rapper Tupac Shakur, she was a high-ranking member of the Black Panther Party and one of the New York 21 charged by the state with subversive activities. Guy, actress and longtime friend of Tupac and his family, offers a penetrating look at the life of a woman who has struggled with anger and pride, drug addiction, radical politics, and the personal demons of having failed her children in their youth. In interviews over a seven-year period, Guy slowly unpeels the layers that have covered the inner life of Shakur: growing up with a poor self-image, combative spirit, and personal vulnerability that was attracted to the radical politics of the Black Panthers, and a young womanhood filled with drug addiction, domestic violence, imprisonment, and failed relationships. Shakur is brutally honest about her personal shortcomings, the internal politics of the Black Panthers that contributed to their unraveling, her long recovery, and the renewed strength and conviction she brings to managing the entertainment legacy left by her son. --Vanessa Bush Copyright 2004 Booklist

Afeni Shakur (nee Alice Faye), the mother of deceased hip-hop star Tupac Shakur, emerges as a significant cultural emblem in her own right in this absorbing oral history. Daughter of a violent broken home, Shakur's rage at her inner demons and at white racism impelled her into a leadership position with the Black Panthers, where she navigated the treacherous currents of revolutionary and sexual politics in the Black Power movement. After government and internal dissension brought down the Panthers ("the party was ripping itself apart," she says), she followed a downward spiral of bad relationships, crack addiction and familial breakup, ending with 12-step redemption and a final come-back at the helm of Tupac's posthumous entertainment empire. The book is somewhat marred by the obtrusive presence of interlocutor and amanuensis Guy, an actress and friend-of-Tupac who optioned the rights to Afreni's story and too often mentions its possibilities as an uplifting biopic. At times, she is clumsy about eliciting a coherent narrative from Shakur, dilutes Shakur's often lacerating self-reproaches with Oprah-esque talk of self-esteem issues, and clutters the story with too much banter and bonding between her and her subject. Still, Shakur's distinctive voice comes through loud and clear, by turns truculent, ruminative and elegiac, and painfully aware of her many failures to live up to her own flinty moralism. The result is a complex portrait of a woman in whom the political and the personal collided with unusual force. (Feb.) Copyright 2004 Reed Business Information.