Table of Contents:
  • Acknowledgments
  • Introduction
  • 1. Fixing the Color Line: The Mulatta, American Courts, and the Racial Imaginary
  • 2. "White Slaves" and Tragic Mulattas: The Antislavery Appeals of Ellen Craft and Sarah Parker Remond
  • 3. Little Romances and Mulatta Heroines: Passing for a "True Woman" in Frances Harper's Iola Leroy and Pauline Hopkins's Contending Forces
  • 4. Commodified "Blackness" and Performative Possibilities in Jessie Fauset's The Chinaberry Tree and Nella Larsen's Quicksand
  • 5. Passing Transgressions, Excess, and Authentic Identity in Jessie Fauset's Plum Bun and Nella Larsen's Passing
  • Epilogue: The "Passing Out" of Passing and the Mulatta?
  • Notes
  • Works Cited
  • Index