The Stratemeyer ClanThese suggestions are for a new series for girls verging on novels. 224 pages, to retail at fifty cents. I have called this line the "Stella Strong Stories," but they might also be called "Diana Drew Stories," "Diana Dare Stories," "Nan Nelson Stories," "Nan Drew Stories" or "Helen Hale Stories" . . .Stella Strong, a girl of sixteen, is the daughter of a District Attorney of many years standing. He is a widower and often talks over his affairs with Stella and the girl was present during many interviews her father had with noted detectives and at the solving of many intricate mysteries. Then, quite unexpectedly, Stella plunged into some mysteries of her own and found herself wound up in a series of exciting situations. An up-to-date American girl at her best, bright, clever, resourceful and full of energy.***IN SEPTEMBER of 1929 children's book mogul Edward Stratemeyer sent one of his inimitable typed memos to Grosset Dunlap, his longtime publisher, describing a new line of books he hoped they would launch the following spring. Though he proved to have an uncharacteristically tin ear when it came to choosing a name for his heroine- any other option on his list of possibilities had a better ring to it than "Stella"-his sense of her life and her intrepid personality were flawless. While they had no way of knowing that Stratemeyer's girl detective would eventually become a celebrity not only in the children's book world but in the world at large, Grosset Dunlap's editors certainly knew a good thing when they saw it. They accepted Stratemeyer's series on the basis of his memo, which also included brief plotlines for the first five books in the series, and his reputation, which, by the time "Nan Drew" burst on to the scene with her fashionable outfits and boundless intelligence, had been the source of admiration and envy-and a great fortune for Stratemeyer-for several decades. When his latest proposal reached their Manhattan office, he had been writing for children for more than forty years and was so steeped in the idiom of his chosen genre that he had given even the events of his own life-which were rather straightforward and businesslike when it came down to it-the sheen and thrill of a juvenile story.This transformation had begun at the moment of his first serious publication in a children's story paper in November of 1889. It was a fanciful tale called "Victor Horton's Idea," and it told of a boy who went out into the world to live life-unsuccessfully, it would transpire-like the characters in his favorite dime novels.Victor was fifteen years old, naturally bright and lively, and if he had not held so high of an opinion of himself, he would have been a first-rate lad.Besides being conceited, Victor was dissatisfied with the quietness of country life. He longed to go forth into the great world and achieve fame and fortune.Now, though this idea is often a very laudable one, it was not so in the present instance. Excerpted from Girl Sleuth: Nancy Drew and the Women Who Created Her by Melanie Rehak All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
