Utopian generations : the political horizon of twentieth-century literature /

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Bibliographic Details
Author / Creator:Brown, Nicholas, 1971-
Imprint:Princeton, N.J. : Princeton University Press, c2005.
Description:viii, 235 p. ; 25 cm.
Language:English
Series:Translation/transnation
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/5778395
Hidden Bibliographic Details
ISBN:0691122113 (cloth : alk. paper)
0691122121 (pbk. : alk. paper)
Notes:Includes bibliographical references (p. [201]-230) and index.
Table of Contents:
  • Acknowledgments
  • Introduction
  • Modernism and African literature
  • In defense of totality
  • The eidaesthetic itinerary
  • The modernist sublime
  • The African prise de parole
  • All theory is postcolonial theory
  • Totality, allegory, and history
  • Utopian generations
  • Part 1. Subjectivity
  • Chapter 2. Ulysses: The Modernist Sublime
  • Ulysses, history, and form
  • Ulysses and the modernist sublime
  • "Eumaeus": the sublimity of the banal and the banality of the sublime
  • "Ithaca": the becoming-meaning of information and the becoming-information of meaning
  • Chapter 3. Ambiguous Adventure: Authenticity's Aftermath
  • Ambiguous Adventure and Modernism
  • Ambiguous Adventure, authenticity, and death
  • Heidegger as ethnophilosopher
  • Tempels's Bantu and Heidegger's Greeks
  • Reification and the work of the colonized
  • The privatization of utopia
  • Part 2. History
  • Chapter 4. The Good Soldier and Parade's End: Absolute Nostalgia
  • Why Ford Madox Ford's novels can only be read once
  • Conrad, Ford, and literary impressionism
  • The Good Soldier: absolute nostalgia
  • Parade's End: absolute and conventional nostalgia
  • Chapter 5. Arrow of God: The Totalizing Gaze
  • The Achebe-event
  • Achebe and the image of Africa
  • Yeats, Eliot, and Achebe: the poetics of disaster
  • Arrow of God as general allegory
  • The image of Africa revisited
  • Arrow of God as total allegory
  • Part 3. Politics
  • Chapter 6. The Childermass: Revolution and Reaction
  • Wyndham Lewis, fascism, and the critique of liberalism
  • The Childermass and revolution: the embodied cliche
  • The Childermass and reaction: imperialism and the strong personality
  • The reaction in revolution and the revolution in reaction
  • Chapter 7. Ngugi wa Thiong'o and Pepetela: Revolution and Retrenchment
  • The Trial of Dedan Kimathi and the ambivalence of Mau Mau
  • Kamiriithu, the Kenyan theater apparatus, and the neocolonial state
  • A Geracao da Utopia, I Will Marry When I Want, and national tragedy
  • A new generation of utopia: the multitude and musical form
  • Chapter 8. Conclusion: Postmodernism as Semiperipheral Symptom
  • The eidaesthetic itinerary continued
  • Bossaposbossa
  • The aesthetic ideology of bossa nova
  • Four options for cultural production on the semiperiphery
  • 1964 and the end of modernism
  • Tropicalia, or bread and circuses?
  • Notes