Review by Booklist Review
Johnson is among the millions of readers who turn to the obituaries before any other page in the newspaper, finding there "the river of history" revealing trivia and significance. Johnson takes the reader on a journey through the world of obituary writers and their fans, recounting annual conventions of obit writers, readers, and bloggers as well as interviews with those she considers the best of this particular branch of journalism. In fact, the obits have evolved from an area for aging journalists slowing down their careers to a sought-after beat in some quarters. She compares styles of various newspapers and writers, from irreverent to prosaic. Attending a memorial for Arthur Miller, she concludes that his account of the death of Willy Loman "can be read as an elevated obit of a common man." Among other revelations: when Watergate's Deep Throat, W. Mark Felt, revealed himself, he preempted the obit scoop that the Washington Post0 had prepared to unveil him at his death, as promised. Humorous, engaging, and informative. --Vanessa Bush Copyright 2006 Booklist
From Booklist, Copyright (c) American Library Association. Used with permission.
Review by Publisher's Weekly Review
A journalist who's written obituaries of Princess Di and Johnny Cash, Johnson counts herself among the obit obsessed, one who subsists on the "tiny pieces of cultural flotsam to profound illuminations of history" gathered from obits from around the world, which she reads online daily-sometimes for hours. Her quirky, accessible book starts at the Sixth Great Obituary Writers' International Conference, where she meets others like herself. Johnson explores this written form like a scholar, delving into the differences between British and American obits, as well as regional differences within this country; she visits Chuck Strum, the New York Times' obituary editor, but also highlights lesser-known papers that offer top-notch obits; she reaffirms life as much as she talks about death. Johnson handles her offbeat topic with an appropriate level of humor, while still respecting the gravity of mortality-traits she admires in the best obit writers, who have "empathy and detachment; sensitivity and bluntness." The book claims that obits "contain the most creative writing in journalism" and that we are currently in the golden age of the obituary. We are also nearing the end of newspapers as we know them, Johnson observes, and so "it seems right that their obits are flourishing." (Mar. 1) (c) Copyright PWxyz, LLC. All rights reserved
(c) Copyright PWxyz, LLC. All rights reserved
Review by Library Journal Review
Johnson, a former magazine writer and editor who has written obituaries herself, here offers an engaging study of today's obituaries. In reviewing the structure of the typical death story, she points out how those for the famous are largely compiled and kept up-to-date during their lifetimes. Yet her study goes beyond notable people, including stories about the average Joe; notices from a number of different American newspapers are compared, with Johnson examining in particular detail the obituary style of the New York Times and its pieces on the lives of those killed in the 9/11 terrorist attacks. There is also coverage of obituary writing as practiced on the Internet. Ultimately, Johnson considers London the obituary capital of the world and reviews the current styles employed by the four major dailies there. While the topic is specialized, Johnson's writing style makes the book enjoyable. She expresses proper reverence when necessary but generally keeps the subject light, with a humorous tone. Suggested for most public libraries.-Joel W. Tscherne, formerly with Cleveland P.L. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Kirkus Book Review
What makes the obituaries the best part of the morning newspaper? Debut author Johnson, who wrote a few herself during her career as a magazine editor, loves obituaries. Truly--they're the first things she reads in a newspaper. She collects obits that seem to mirror each other, like those of the actor who voiced Tigger in Winnie-the-Pooh, and his colleague, who voiced Piglet (the two died within a day of each other). When Johnson travels to London, for example, the first thing she does is ecstatically gather up that city's four great papers "in a haze of pleasure" so she can read their obit pages, which she calls "works of art." Her devotion is the heart of this warm but repetitive book about the craft of reconstructing a person's life in a few squibs. She doesn't provide much structure here as she bops around from an obit-writers' convention in New Mexico (during which time Ronald Reagan died, causing a minor pandemonium) to the aforementioned London in order to query obit-writing's great practitioners. Along the way, she provides some excellent examples of the best sort of obituaries, the ones that awaken you to the greatness of a seemingly small life or serve as a gateway to obscure historical events. Contrary to popular opinion, many newspapers don't have a drawer full of ready-to-go obits that merely need polishing, so readers experience some real journalistic thrills as rushed writers struggle to meet deadline and still find that single unique thing about a seemingly average person. But like all obsessives, Johnson can be a bore; she endlessly enumerates the differences among various newspapers' styles, in particular the divide between the more reticent, euphemistic Americans and the saucy Brits, who throw spadefuls of scandal over the recently departed. A smart, if longwinded take on journalism's dark art. Copyright ©Kirkus Reviews, used with permission.
Copyright (c) Kirkus Reviews, used with permission.
Review by Booklist Review
Review by Publisher's Weekly Review
Review by Library Journal Review
Review by Kirkus Book Review
