A performance cosmology : testimony from the future, evidence of the past /
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| Imprint: | London ; New York : Routledge, 2006. |
|---|---|
| Description: | xi, 321 p. : col. ill. ; 28 cm. |
| Language: | English |
| Subject: | |
| Format: | E-Resource Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/6216965 |
Table of Contents:
- Acknowledgements
- Introduction: Plotting a Course, or Impossible Beginnings
- 1. Intimate Conversations
- Ways of working with the Centre for Performance Research
- On Ways of Working: A View from the Bridge
- Tools for Conviviality
- Ways of Working: Eight things I know now that I didn't know before
- Eye and Ear, Foot and Mouth: Mapping performance in three journeys and one withdrawal
- Express Trains: Working at CPR
- A Family Affair
- The Nature and Culture of Performance
- Philoxenia: The Host as Parasite
- A Little Big Boots: On participating in Summer Shift 2004
- Performances of Truth
- Singing Praise
- Pro-found and Impossible
- And before I know it
- Ways of Working: Ten Fragments from Sixteen Years of Interaction
- The Courage to Create: Food, Alchemy, Objects and Performance
- 2. Testimony from the Future
- Field Station dispatches and soundings Towards Tomorrow
- The Field Stations: Ways of Reading
- A River of Senses and a Touch of Otherness
- Declaration of Poetic Disobedience
- Rupture
- Interactive Environments and Digital Perception
- AnimalCam: Ocularcentrism and Non-Human Performance
- Global Feeling: (Almost) All You Need Is Love
- Writing (After) the Event: Notes on Appearance, Passage and Hope
- The Scribes of Merlin (An obscure lecture)
- What I Can't Recall
- Stones in the Mind
- Marking Time
- Aporias of Ekphrasis: The Performance Archive - Archiving the Performance
- Legwork - Thinking Showing Doing
- Who Knows - and who cares - about performance mastery (?)
- Incomplete Alphabet
- Hounded Buildings: Site, performance and traumatic memory
- The Memory of Promise: Theatre and the Ethic of the Future
- Open Wounds
- Ramblers Associations Witness/scopophilia/aprosexia/sight
- Dear Friends and Family
- Witnessing the Witness
- The Effect Produced
- Writing of the Event
- An untenable identity formation: Eleutheria in eight parts
- Eleutheromania: Performance Art and the War on Terror
- Deleria/Nostalgia; Time, Space, Topography
- Arrested Life: A Sadness Without an Object
- Delirium: Nostalgia, Theatre and Public Space
- Why there is Wind: Power, Trees, Performance
- Towards Tomorrow: Forward
- Towards Tomorrow? Processing the Limits of Performance into the Real of Time
- Towards Tomorrow? Restoring Disciplinary Limits and Rehearsals in Time?
- 3. Evidence of the Past
- For the record, and with the benefit of hindsight
- From the Laboratory to the Centre: History, Training, the Academy and the Book
- Perfect Time : Imperfect Tense
- Bibliophobia : An Oneiric Fable
- Circumstantial Evidence
- Notes on Contributors
- Photography Acknowledgements and Illustration Sources
