Hecho en Tejas : an anthology of Texas-Mexican literature /
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Imprint: | Albuquerque : University of New Mexico Press published in cooperation with the Southwestern Writers Collection, Texas State University, 2006. |
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Description: | xxi, 522 p. : ill. (some col.) ; 27 cm. |
Language: | English Spanish |
Series: | Southwestern Writers Collection series |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/6263223 |
Table of Contents:
- Acknowledgments
- Introduction
- Part 1. Before the 1930s
- from Chronicle of the Narvaez Expedition
- Letter in his defense
- Proclamation
- "El corrido de Texas"
- "El Huerfano" (San Antonio)
- "La Elena" (El Paso)
- "Jesus Cadena" (Chavela) (San Antonio)
- "El Contrabando del Paso" (El Paso)
- "Contrabandistas Tequileros" (Del Rio)
- "Ballad of Gregorio Cortez" (Rio Grande Valley
- "Capitan Charles Stevens" (Rio Grande Valley)
- Part 2. The 1930s
- "La Pollita"
- from "Rancho Buena Vista: Its Ways of Life and Traditions"
- "Don Pedrito Jaramillo"
- "False Blue" and "Discontent"
- "Mi fracaso"
- "La tisica"
- "Dime si, si, si"
- Part 3. Photographs from the 1930s
- Photographs
- Part 4. The 1940s
- "Mal Camino"
- "A Washington" and "Los Pachucos"
- "El Gato Negro"
- "Mucho me gusta mi novia"
- Correspondence
- "Ay Te Dejo en San Antonio"
- Part 5. The 1950s
- "The Devil on the Border"
- "Los mexicanos que hablan ingles"
- from With His Pistol in His Hand
- "Desde Mexico he venido"
- "La Nacha Sells Dirty Dope..."
- "Before The Next Teardrop Falls"
- "Mi Borrachera"
- "El crudo"
- Part 6. The 1960s
- "Saturday Belongs to the Palomia"
- "El Paso del Norte"
- "Cecilia Rosas"
- "Talk To Me, Talk To Me"
- "Soledad was a Girl's Name" and "Homing"
- from The Making of a Chicano Militant
- "El corrido de Jhonny el Pachuco"
- "Stupid America" and "The Chicano Manifesto"
- Part 7. The 1970s
- from The Three Wars of Roy Benavidez
- "The Night Before Christmas"
- "Scene from the Movie Giant' and "I Too Have Walked My Barrio Streets"
- "A la guerra ya me llevan"
- "Voces del barrio," "A Sunday in Klail," and "Es el agua"
- "Que bonito es San Antonio"
- "La Yonfantayn"
- "Tragico Fin De Alfredo Gomez Carrasco"
- "Talking to the Rio Grande" and "Space"
- "Of Bronze the Sacrifice" and "Llevan Flores"
- "La tumba de Villa"
- "The Feeling Is Mutual" and "Go Ahead, Ask Her"
- "Scars and Three Daughters" and "and when I dream dreams..."
- "Bicentennial Blues" and "El Barrio Revisited"
- "In Defense of the Jalapeno and Other Chiles"
- "I Was Never A Militant Chicano" and "For Tigre"
- "Entering Into the Serpent"
- "Portal"
- "Yo soy Chicano"
- "Puro Rollo (primera parte)" and "I Am an Americano Too"
- from The Devil in Texas
- "Armadillo Charm" and "'Bout to Leave the Barrio"
- "La Loma" and "A Walk Through the Campo Santo"
- Part 8. The 1980s
- "Cuatro Caminos"
- "Eladio Comes Home"
- "La Casa" and "(There Has to be) Something More Than Everything"
- "The Vogue"
- from Migrant Souls
- "Sancho"
- "The Senora"
- "Elena" and "Now and Then, America"
- "Pruning the Family Tree, Grafts and All"
- "por la calle Zarzamora" and "el mercado en San Antonio where the tourists trot"
- "Como la flor"
- "The Past" and "Pancho Villa Invites My Grandfather to the Revolution, Mexico, 1914"
- "Literary Wetback"
- "Las Marias"
- "The Unchronicled Death of Your Holy Father" and "Fences"
- Part 9. The 1990s
- "Intaglia"
- "Wave"
- "Halloween" and "Santa Maria"
- "Casa Sanchez"
- "El Cuervo"
- "The Day of Whack"
- "I&M Plumbing"
- "Mexicano Antonio" and "On Language"
- "Barbacoa Blues"
- from Places Left Unfinished at the Time of Creation
- "A Rock Trying to Be a Stone"
- from Drift
- from Barefoot Heart
- Part 10. The 2000s
- "Compassion"
- "All About My Mother"
- "Once More to the River"
- "Cave-Woman I," "Cave Woman II," and "Perfection"
- from Sofia's Saints
- "In the Year 1974"
- "Laredo"
- "Pecado"
- "See Ya at the Pulga (What Did He Said?)"
- "They Let Me Drive"
- "One Family, Two Homelands"
- "Ambition" and "Fence on the Border"
- Permissions and acknowledgments