Critical readings in Impressionism and post-Impressionism : an anthology /
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| Imprint: | Berkeley : University of California Press, c2007. |
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| Description: | x, 347 p., 8 p. of plates : ill. (some col.) ; 24 cm. |
| Language: | English |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/6270418 |
Table of Contents:
- Preface
- Introduction: The Critical History of Impressionism: An Overview
- Part 1. Background Studies: Economic Landscapes and Exhibition Strategies
- 1. Impressionism, Originality, and Laissez-Faire
- 2. Dealing in Temperaments: Economic Transformation of the Artistic Field in France during the Second Half of the Nineteenth Century
- 3. Impressionist Installations and Private Exhibitions
- Part 2. Landscapes of Modernity
- 4. Framing the Landscape
- 5. The Environs of Paris
- Part 3. The Critical Climate
- 6. The Intransigent Artist or How the Impressionists Got Their Name
- 7. Duranty on Degas: A Theory of Modern Painting
- 8. Berthe Morisot and the Feminizing of Impressionism
- Part 4. Impressionism, Politics, and Nationalism
- 9. Camille Pissarro in 1880: An Anarchistic Artist in Bourgeois Society
- 10. Monet and the Challenges to Impressionism in the 1880s
- Part 5. Recent Studies in Post-Impressionist Painting
- 11. Seurat's Grande Jatte: An Anti-Utopian Allegory
- 12. At the Threshold of Symbolism: Van Gogh's Sower and Gauguin's: Vision after the Sermon
- 13. Mark, Motif, Materiality: The Cezanne Effect in the Twentieth Century
- Select Bibliography
- Contributors
- List of Illustrations
- Index