Max Beckmann : exile in Amsterdam /

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Bibliographic Details
Imprint:Ostfildern, Germany : Hatje Cantz, c2007.
Description:437 p. : chiefly col. ill. ; 31 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/6330624
Hidden Bibliographic Details
Other authors / contributors:Schulz-Hoffmann, Carla.
Lenz, Christian, 1938-
Bormann, Beatrice von.
Pinakothek der Moderne (Munich, Germany)
ISBN:9783775718387 (English edition : hd.bd.)
3775718389 (English edition : hd.bd.)
Notes:Includes bibliographical references (p. 421-435)
Description
Summary:Between 1937 and 1947, while he was in exile in Amsterdam, the German-born painter Max Beckmann (1884-1950) made approximately a third of the work he would create in his lifetime. When he moved on, it was to accept an appointment as a professor at Washington University in St. Louis. Before that peacetime respite, he countered Europe's threatening instability with intense concentration. Max Beckmann in Amsterdam opens with the last work he completed in Germany, a triptych titled Versuchung ( Temptation ), and dedicates the balance of its pages to the paintings and drawings from his years in Holland. These widely varied responses to his immediate historical and biographical situation show horror of developments in Nazi Germany and constant physical and mental tension created by his wartime surroundings. As a body of work, Beckmann's Amsterdam portfolio is not only of great importance in understanding his motivations and methods, and in itself a record of the most productive phase in his life, but also a critical examination of a crucial moment in twentieth-century history.
Physical Description:437 p. : chiefly col. ill. ; 31 cm.
Bibliography:Includes bibliographical references (p. 421-435)
ISBN:9783775718387
3775718389