The new film history : sources, methods, approaches /
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| Imprint: | Basingstoke ; New York : Palgrave Macmillan, 2007. |
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| Description: | xi, 256 p. ; 23 cm. |
| Language: | English |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/6422385 |
Table of Contents:
- Notes on Contributors
- Introduction: The New Film History
- Part 1. History
- Gone with the Wind(1939) and the Lost Cause: A Critical View
- History and Representation: The Case of 1970s British Cinema
- Gallipoli(1981): 'A Poignant Search For National Identity'
- 'This Ship is England': History, Politics and National Identity inMaster and Commander: The Far Side of the World(2003)
- Part 2. Authorship
- Art in Context: British Film Design of the 1940s
- The Author as Author: Restoring the Screenwriter to British Film History
- When 'Hanoi Jane' Conquered Hollywood: Jane Fonda's Films and Activism, 1977-81
- Part 3. Genre
- The Politics of the Swashbuckler
- The Stalinist Musical
- Now Voyager(1942): Melodrama Then and Now
- From Gangster to Gangsta: The Hood Film's Criminal Allegiance with Hollywood
- Part 4. Reception
- Blackmail(1929): Hitchcock and Film Nationalism
- British Cinema, American Reception: Black Narcissus (1947) and the Legion of Decency
- Studying Cross-Cultural Marketing and Reception: Ingmar Bergman'sPersona(1966)
- The Wicker Man(1973) Email Digest: A Case Study in Web Ethnography
- Index