The sculpture of William Tucker /

Saved in:
Bibliographic Details
Author / Creator:Sleeman, Joy.
Imprint:Aldershot [England] ; Burlington, VT : Lund Humphries, 2007.
Description:191 p. : ill. (some col.) ; 30 cm.
Language:English
Series:British sculptors and sculpture series
[British sculptors and sculpture series].
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/6644367
Hidden Bibliographic Details
ISBN:085331926X (hbk.)
9780853319269 (hbk.)
Notes:Includes bibliographical references (p. [184]-185) and index.
Summary:"William Tucker (born 1935) is a British-born sculptor who moved to North America in 1976 and became an American citizen in 1986. This is the first major monograph on his work, and includes a complete catalogue of his sculpture to date." "Joy Sleeman's text situates the entirety of Tucker's sculptural enterprise in a broad interpretive framework and explores its wider implications for reconsidering the recent history, theory and practice of sculpture. The book has been compiled in close collaboration with the artist, whose comments are included in the fully illustrated catalogue of sculpture. It will be essential reading for artists, art historians, curators, dealers and all those with an interest in the recent history and current practice of sculpture."--BOOK JACKET.
Other form:Online version: Sleeman, Joy. Sculpture of William Tucker. Aldershot [England] ; Burlington, VT : Lund Humphries, 2007
Description
Summary:William Tucker (born in 1935) is a British-born sculptor who moved to North America in 1976 and became an American citizen in 1986. This is the first major monograph on his work and includes a complete catalogue of his sculpture to date. Tucker began making sculpture in the late 1950s and came to public prominence along with fellow sculptors David Annesley, Michael Bolus, Phillip King, Tim Scott and Issac Witkin when they were included in the New Generation 1965 exhibition at the Whitechapel Art Gallery in London. Tucker and his contemporaries presented abstract assembled forms, often painted in bright colours and influenced by American abstract painting. The exhibition marked the conclusion of a period of intense dialogue and experimentation nurtured in the remarkable atmosphere of the sculpture department of St Martin's School of Art in London under the maverick leadership of Frank Martin.
Physical Description:191 p. : ill. (some col.) ; 30 cm.
Bibliography:Includes bibliographical references (p. [184]-185) and index.
ISBN:085331926X
9780853319269