Studio and cube : on the relationship between where art is made and where art is displayed /

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Bibliographic Details
Author / Creator:O'Doherty, Brian.
Imprint:New York : Temple Hoyne Buell Center for the Study of American Architecture, c2007.
Description:40 p., [40] p. of plates : ill. (some col.), ports. ; 23 cm.
Language:English
Series:A Buell Center/FORuM Project publication ; v. 1.
Buell Center/FORuM Project publication ; v. 1.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/6828847
Hidden Bibliographic Details
Varying Form of Title:On the relationship between where art is made and where art is displayed
Other authors / contributors:Temple Hoyne Buell Center for the Study of American Architecture.
FORuM Project.
ISBN:9781883584443 (hbk.)
1883584442 (hbk.)
Notes:"Studio and Cube is the first volume in a series of books related to the FORuM Project, dedicated to exploring the relationships of architectural form to politics and urban life"--T.p. verso.
"This paper was presented in its expanded final version in spring 2006 at the Graduate School of Architecture, Planning and Preservation of Columbia University under the auspices of the Temple Hoyne Buell Center for the Study of American Architecture"--P. 40.
Summary:Features photographs of the studios of such artists as Lucas Samaras, Vito Acconci, Jackson Pollock, Lowell Nesbitt, Louise Nevelson, Claes Oldenburg, Pablo Picasso, Max Ernst, Robert Rauschenberg, Francis Bacon, Mark Rothko, Henri Matisse, Piet Mondrian, and Constantin Brancusi.

MARC

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490 1 |a A Buell Center/FORuM Project publication ;  |v v. 1. 
500 |a "Studio and Cube is the first volume in a series of books related to the FORuM Project, dedicated to exploring the relationships of architectural form to politics and urban life"--T.p. verso. 
500 |a "This paper was presented in its expanded final version in spring 2006 at the Graduate School of Architecture, Planning and Preservation of Columbia University under the auspices of the Temple Hoyne Buell Center for the Study of American Architecture"--P. 40. 
505 0 |a Samaras's studio-bedroom -- The artist's myth -- Acconci's Seedbed -- Courbet's studio -- Delacroix's dilemma -- Nesbitt's studio tour -- Cultists' club/Warhol -- Utopia now/Rauschenberg's studio/The Bed -- The tenses of studio time -- Studio of accumulation/Bacon's studio -- Studio of reduction/Rothko -- The empty studio/Duchamp -- Caspar David Friedrich's studio -- The window -- An etiquette of looking/Hopper -- The model -- The painting-in-the-painting -- Mondrian's studio -- Brancusi's proto-museum -- The studio defined -- Perception -- The anti-white-cube. 
520 |a Features photographs of the studios of such artists as Lucas Samaras, Vito Acconci, Jackson Pollock, Lowell Nesbitt, Louise Nevelson, Claes Oldenburg, Pablo Picasso, Max Ernst, Robert Rauschenberg, Francis Bacon, Mark Rothko, Henri Matisse, Piet Mondrian, and Constantin Brancusi. 
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