A writer's Ireland : landscape in literature /

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Bibliographic Details
Author / Creator:Trevor, William, 1928-2016
Imprint:New York : Viking, 1984.
Description:192 p. : ill. (some col.), map ; 26 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/697629
Hidden Bibliographic Details
ISBN:0670790826 : $25.00
Notes:Includes index.
Bibliography: p. 178-179.
Review by Kirkus Book Review

An attractively illustrated coffee-table doodad, billed by novelist Trevor as ""a writer's journey, a tour of places which other writers have felt affection for also, or have known excitement or alarm in""--but mostly a string of excerpts from Irish literature, from the Tain to the present, having vaguely to do with the landscape. The chronological presentation seems a fundamental mistake, since it suggests the very sort of academic investigation Trevor disclaims as an objective; only in the final chapter--a whirlwind clockwise tour around the island--does the organizational premise work. Many of the literary references are predictable: Goldsmith's ""The Deserted Village""; Allingham's ""The Winding Banks of Erne""; Yeats on Coole Park; Synge on Wicklow and the Aran Islands; O'Sullivan on the Blaskets; Joyce and O'Casey, from their different vantage points, on Dublin; MacNeice on Belfast. But Trevor covers some other, more overlooked bases as well: Jonathan Swift and the 18th-century garden; the S. C. Halls' early Victorian ""picturesque"" travel book about Ireland; John Banim; the ""vastly"" overlooked short stories of George Moore (though, oddly, Trevor includes no excerpts from Moore's The Untilled Field); Ulster novelist Forrest Reid. Some writers appear awkwardly fitted into the ""landscape"" category (Flann O'Brien's inclusion on the ground that his Dublin was ""a playground for the imagination"" seems a bit thin); and Trevor's virtual exclusion of excerpts from the original work of contemporary writers impoverishes the book by the omission of (for example) Seamus Heaney. Some fine raw material--seemingly thrown together. Copyright ©Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
Review by Kirkus Book Review