Modal counterpoint, Renaissance style /
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| Author / Creator: | Schubert, Peter, 1946- |
|---|---|
| Edition: | 2nd ed. |
| Imprint: | New York : Oxford University Press, 2008. |
| Description: | xviii, 347 p. : ill. ; 29 cm. |
| Language: | English |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/7035465 |
Table of Contents:
- Preface
- Note to the Student Note to the Instructor
- Introduction: Renaissance Musical Style and Notation
- 1. Mode
- 2. Introduction to Two-Part Species Counterpoint
- 3. First Species
- 4. Second Species
- 5. Third Species
- 6. Fourth Species
- 7. Mixed Values
- 8. Counterpoint with Repetition of a Motive
- 9. Motivic Variation
- 10. Cadence Formulas in Two Voices
- 11. Two Parts in Mixed Values
- 12. The Imitative Duo
- 13. Invertible Counterpoint
- 14. Three Parts
- 15. Three Parts in Mixed Values
- 16. The Three-Voice Invertible Canon
- 17. Four-Part Writing
- 18. Adding Three Parts in Mixed Values to a CF
- 19. Four Parts in Mixed Values
- 20. Composing a Whole Piece
- Appendices
- 1. Text Setting
- 2. Canon Against a CF
- 3. Solmization
- 4. Sample Motive Placements
- 5. The Invertible Duo
- Bibliography
- Index
