Ten canonical buildings 1950-2000 /

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Bibliographic Details
Author / Creator:Eisenman, Peter, 1932-
Imprint:New York : Rizzoli : Distributed to the U.S. trade by Random House, 2008.
Description:303 p. : ill. (some col.), plans (some col.) ; 27 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/7248426
Hidden Bibliographic Details
Other authors / contributors:Harrison, Ariane Lourie.
ISBN:9780847830480
0847830489
Notes:Includes bibliographical references (p. [289-299]) and index.
Summary:Eisenman identifies a project within the oeuvre of each of10 influential architects--Luigi Moretti, Ludwig Mies van der Rohe, Le Corbusier, Louis Kahn, Robert Venturi, James Stirling, Aldo Rossi, Rem Koolhaas, Daniel Libeskind, and Frank Gehry--that has profoundly affected architectural discourse and practice.

MARC

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245 1 0 |a Ten canonical buildings 1950-2000 /  |c Peter Eisenman ; foreword by Stan Allen ; edited by Ariane Lourie. 
260 |a New York :  |b Rizzoli :  |b Distributed to the U.S. trade by Random House,  |c 2008. 
300 |a 303 p. :  |b ill. (some col.), plans (some col.) ;  |c 27 cm. 
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504 |a Includes bibliographical references (p. [289-299]) and index. 
505 0 |a Profiles of text: Luigi Moretti, Casa "Il Girasole," 1947-50 -- The umbrella diagram: Ludwig Mies van der Rohe, Farnsworth House, 1946-51 -- Textual heresies: Le Corbusier, Palais des Congrès-Strasbourg, 1962-64 -- From plaid grid to diachronic space: Louis I. Kahn, Adler House and DeVore House, 1954-55 -- The nine-square diagram and its contradictions: Robert Venturi, Vanna Venturi House, 1959-64 -- Material inversions: James Stirling, Leicester Engineering Building, 1959-63 -- Texts of analogy: Aldo Rossi, Cemetery of San Cataldo, 1971-78 -- Strategies of the void: Rem Koolhaas, Jussieu Libraries, 1992-93 -- The deconstruction of the axis: Daniel Libeskind, Jewish Museum, 1989-99 -- The soft umbrella diagram: Frank O. Gehry, Peter B. Lewis Building, 1997-2002. 
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