Fashion at the edge : spectacle, modernity and deathliness /

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Bibliographic Details
Author / Creator:Evans, Caroline, 1954-
Edition:Second printing.
Imprint:New Haven : London : Yale University Press, 2007.
Description:vii, 326 p. : ill. (some col.) ; 30 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/7414769
Hidden Bibliographic Details
ISBN:9780300124675 (pbk.)
0300124678 (pbk.)
Notes:Includes bibliographical references (p. 310-319) and index.
Description
Summary:

What do images of illness, vampirism, wounds, and addiction say about contemporary fashion? An unexpected discussion of fashion and its relation to deep cultural anxieties



Recent experimental fashion has a dark side, a preoccupation with representations of death, trauma, alienation, and decay. This intriguing book looks closely at this strand of fashion design in the 1990s, exploring what its disturbing themes tell us about consumer culture and contemporary anxieties. Caroline Evans analyzes the work of experimental designers, the images of fashion photographers, and the spectacular fashion shows that developed in the final decade of the twentieth century to arrive at a new understanding of fashion's dark side and what it signifies. Fashion at the Edge considersa range of cutting-edge contemporary fashion in unprecedented depth and detail, including the work of such current designers as John Galliano, Alexander McQueen, Hussein Chalayan, and Viktor & Rolf. Contrasting images by photographers like Steven Meisel, Nick Knight, and Juergen Teller are also reviewed. Drawing on diverse perspectives from Marx to Walter Benjamin, Evans shows that fashion stands at the very center of the contemporary, and that it voices some of Western culture's deepest concerns.

Physical Description:vii, 326 p. : ill. (some col.) ; 30 cm.
Bibliography:Includes bibliographical references (p. 310-319) and index.
ISBN:9780300124675
0300124678