The Routledge companion to philosophy and film /
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| Imprint: | London ; New York : Routledge, 2009. |
|---|---|
| Description: | xix, 672 p. ; 26 cm. |
| Language: | English |
| Series: | Routledge philosophy companions |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/7631878 |
Table of Contents:
- Part 1. Issues and Concepts
- 1. Acting
- 2. Authorship
- 3. Censorship
- 4. Consciousness
- 5. Definition of 'Cinema'
- 6. Depiction
- 7. Digital Cinema
- 8. Emotion and Affect
- 9. Empathy and Character Engagement
- 10. Ethics
- 11. Film as Art
- 12. Formalism
- 13. Gender
- 14. Genre
- 15. Interpretation
- 16. Medium
- 17. Music
- 18. Narration
- 19. Narrative Closure
- 20. Ontology
- 21. Race
- 22. Realism
- 23. Spectatorship
- 24. Sound
- 25. Style
- 26. Violence
- Part 2. Authors and Trends
- 27. Rudolph Arnheim
- 28. Walter Benjamin
- 29. David Bordwell
- 30. Bertolt Brecht
- 31. Noel Carroll
- 32. Stanley Cavell
- 33. Cognitive Theory
- 34. Gilles Deleuze
- 35. Sergei Eisenstein
- 36. Christian Metz
- 37. Jean Mitry
- 38. Edgar Morin
- 39. Hugo Munsterberg
- 40. Phenomenology
- 41. Psychoanalysis
- 42. Semiotics and Semiology
- 43. Ludwig Wittgenstein
- Part 3. Genres and Other Types
- 44. Dogme 95
- 45. Documentary
- 46. Horror
- 47. Pornography
- 48. Avant-garde Film
- 49. Tragedy and Comedy
- Part 4. Film as Philosophy
- 50. Film as Philosophy
- 51. Ingmar Bergman
- 52. Terrence Malick
- 53. Andrei Tarkovsky
- 54. Why Be Moral?
- 55. Skepticism
- 56. Personal Identity
- 57. Practical Wisdom and the Good Ground of Gettysburg
- 58. The Five Obstructions
- 59. Gattaca
- 60. Memento
