Embellishing the liturgy : tropes and polyphony /
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| Imprint: | Farnham, England ; Burlington, VT : Ashgate, c2009. |
|---|---|
| Description: | liv, 559 p. : ill., music ; 26 cm. |
| Language: | English |
| Series: | Music in medieval Europe |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/7689325 |
Table of Contents:
- Part 1. Tropes in General: The troping hypothesis
- Some observations on the interrelationships between trop repertories
- Aux origines des tropes d'interpolation: le trope mTloforme d'intront
- Les libelli de tropes et les premiers tropaires-prosaires
- Tropes and the concept of genre
- Beyond a chant, 'Tui Sunt Caeli' and its tropes
- The liturgical function of the tropes
- On the nature of transmission and change in trope repertories
- Zum VerstSndniss des'klassischen' tropus
- Part 2. Aquitaine and the West: Northern French elements in an early Aquitainian troper
- A new voice in the monastery: tropes and versus from 11th- and 12th-century Aquitaine
- Further notes on the grouping of the Aquitanian tropers
- Part 3. St Gall and the East: Tropentypen in Sankt Gallen
- Some observations on the repertory of tropes at St Emmeram
- From tuotilo to the 1st manuscripts: the shaping of a trope repertory at Saint Gall
- Part 4. The Ordinary: The earliest Agnus Dei melody and its tropes
- The Kyrie trope
- Pax et sapienta: a thematic study on tropes from different traditions
- Introducing the Gloria In Excelsis
- Part 5. Tropes in the Office: Melismatic tropes in the responsories for Matins
- New music from old: the structuring of responsory prosas
- Index
