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|b A4 2009
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|a 759.9493
|2 22
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| 245 |
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|a Van Dyck & Britain /
|c edited by Karen Hearn ; historical consultant, Kevin Sharpe ; with contributions by Tabitha Barber ... [et al.].
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3 |
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|a Van Dyck and Britain
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| 260 |
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|a London :
|b Tate Pub.,
|c c2009.
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| 300 |
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|a 256 p. :
|b ill. ;
|c 30 cm.
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| 336 |
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|a text
|b txt
|2 rdacontent
|0 http://id.loc.gov/vocabulary/contentTypes/txt
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| 337 |
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|a unmediated
|b n
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|0 http://id.loc.gov/vocabulary/mediaTypes/n
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|a volume
|b nc
|2 rdacarrier
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| 500 |
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|a Published to accompany the exhibition held at Tate Britain, London, 18 Feb.-17 May 2009.
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| 504 |
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|a Includes bibliographical references and index.
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0 |
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|a Van Dyck in Britain / Karen Hearn -- Van Dyck, the royal image and the Caroline Court / Kevin Sharpe -- Fashioning the modern self: clothing , cavaliers and identity in van Dyck's London / Christopher Breward -- Painting in England before van Dyck: his first visit in 1620-1 and its aftermath -- van Dyck's return to England: Royal portraits -- Other patrons and sitters -- Self-portraits and life -- van Dyck's London studio -- van Dyck's impact during the seventeenth century -- van Dyck's continuing influence
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| 520 |
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|a "Together with Holbein, Anthony van Dyck (1599-1641) is one of the most important names in British pre-18th century art. Born in Antwerp he was a precocious talent, rising swiftly to become the chief assistant to Peter Paul Rubens, then Northern Europe's most prominent painter. His importance to British art cannot be overstated; during the turbulent years of the reign of Charles I, he single-handedly reinvented portrait painting, leaving behind a legacy that would influence later generations." "Van Dyck first came to Britain in 1620 to work for James I. Between 1621 and 1627 he worked in Italy, adding to his clientele of wealthy patrons. Charles I recognised in van Dyck the potential to be the perfect creator of the royal image. The artist returned to London in April 1632 and was almost immediately knighted and provided with an enviable property and pension, becoming the chief painter of the court. His portraits of the royal family and courtiers, imbued with an understated authority and relaxed elegance, were an instant success. His pictures of Charles especially seemed to represent the king as both a powerful sovereign and 'nature's gentleman'." "The authors not only explore van Dyck's years in England, but also his enduring influence on British art and culture in the centuries following his death, reflected in the way 18th and 19th century British sitters wanted their portraits to convey the gravitas and sophistication the earlier painter had mastered so well. Extensively illustrated, this is the most thorough examination ever published of van Dyck's English sojourn and the influence it had on the cultural life of the nation."--BOOK JACKET.
|
| 600 |
1 |
0 |
|a Van Dyck, Anthony,
|d 1599-1641
|v Exhibitions.
|
| 600 |
1 |
0 |
|a Van Dyck, Anthony,
|d 1599-1641
|x Influence
|v Exhibitions.
|
| 600 |
1 |
6 |
|a Van Dyck, Anthony,
|c Sir,
|d 1599-1641
|v Expositions.
|
| 600 |
1 |
6 |
|a Van Dyck, Anthony,
|c Sir,
|d 1599-1641
|x Influence
|v Expositions.
|
| 600 |
1 |
7 |
|a Dyck, Anton van
|2 swd
|1 http://viaf.org/viaf/17231738
|
| 650 |
|
0 |
|a Painting, Belgian
|z England
|y 17th century
|v Exhibitions.
|
| 650 |
|
6 |
|a Peinture belge
|y 17e siècle
|v Expositions.
|
| 651 |
|
7 |
|a England
|2 swd
|
| 600 |
1 |
7 |
|a Van Dyck, Anthony,
|d 1599-1641.
|2 fast
|0 http://id.worldcat.org/fast/fst01800206
|1 http://viaf.org/viaf/17231738
|
| 650 |
|
7 |
|a Influence (Literary, artistic, etc.)
|2 fast
|0 http://id.worldcat.org/fast/fst00972484
|
| 650 |
|
7 |
|a Painting, Belgian.
|2 fast
|0 http://id.worldcat.org/fast/fst01050693
|
| 651 |
|
7 |
|a England.
|2 fast
|0 http://id.worldcat.org/fast/fst01219920
|
| 648 |
|
7 |
|a 1600-1699
|2 fast
|
| 655 |
|
7 |
|a Exhibition catalogs.
|2 fast
|0 http://id.worldcat.org/fast/fst01424028
|
| 700 |
1 |
|
|a Hearn, Karen.
|0 http://id.loc.gov/authorities/names/n95079091
|1 http://viaf.org/viaf/39512849
|
| 776 |
0 |
8 |
|i Online version:
|t Van Dyck & Britain.
|d London : Tate Pub. ; New York : Distributed in the United States and Canada by Harry N. Abrams, 2009
|w (OCoLC)612120029
|
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|t Library of Congress classification
|a N6973.V35 A4 2009
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|c JRL-Gen
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|t Library of Congress classification
|a N6973.V35 A4 2009
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|e VISI
|b 089137397
|i 8600632
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