Composition & copyright : perspectives on teaching, text-making, and fair use /

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Bibliographic Details
Imprint:Albany : SUNY Press, c2009.
Description:vi, 225 p. : ill. ; 24 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/7708228
Hidden Bibliographic Details
Varying Form of Title:Composition and copyright
Other authors / contributors:Westbrook, Steve, 1973-
ISBN:9781438425917 (hardcover : alk. paper)
1438425910 (hardcover : alk. paper)
Notes:Includes bibliographical references and index.
Table of Contents:
  • Introduction
  • I. Defining Cases And Concepts: Copyright, Digital Ethics, and Composition Studies
  • 1. Property, Theft, Piracy: Rhetoric And Regulation In MGM Studios
  • 2. Fair Use And The Vulnerability Of Criticism On The Internet
  • 3. "Some Rights Reserved": Weblogs With Creative Commons Licenses
  • 4. In Defense Of Obfuscation: Questioning Open Source And A New Perspective On Teaching Digital Literacy In The Writing Classroom
  • II. Teaching The Conflicts: Copyright Law In Pedagogical Theory And Practice
  • 5. A Refrain Of Costly Fires: Visual Rhetoric, Writing Pedagogy, And Copyright Law
  • 6. Beyond The Wake-Up Call: Learning What Students Know About Copyright
  • 7. Ideas Toward A Fair Use Heuristic: Visual Rhetoric And Composition
  • 8. Blogging Down: Copyright Law And Blogs In The Classroom
  • III. Concluding Polemics: Changing The Future Of Composition And Copyright
  • 9. The (RE) Birth Of The Composer
  • 10. Own Your Rights: Know When Your University Can Claim Ownership Of Your Work
  • List Of Contributors
  • Index