Cinema in the digital age /

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Bibliographic Details
Author / Creator:Rombes, Nicholas.
Imprint:London ; New York : Wallflower Press, 2009.
Description:ix, 171 p. : ill. ; 24 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/7728263
Hidden Bibliographic Details
ISBN:1905674856 (pbk.)
9781905674855 (pbk.)
1905674864 (hbk.)
9781905674862 (hbk.)
Notes:Includes bibliographical references (p. 161-171).
Includes filmography: p. 157-160.
Summary:"Does the digital era spell the death of cinema as we know it, or its rebirth? Or the emergence of something else entirely? Cinema in the Digital Age examines the fate of cinema in this new era, paying special attention not only to the technologies that are reshaping film, but to the cultural meaning of those technologies. Examining Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), The Ring (2002) and others, this volume explores how such films are haunted by their own analogue pasts, and suggests that their signature element is not digital perfection but rather deliberate imperfections that take the form of blurry or pixilated images, shaky camera work and other elements that remind viewers that human beings made these films. Weaving together a rich variety of sources, Cinema in the Digital Age is a deeply humanistic look at the meaning of cinematic images in the era of digital perfection." -- Book cover.
Other form:Online version: Rombes, Nicholas. Cinema in the digital age. London ; New York : Wallflower Press, 2009
Review by Choice Review

Rombes (English, Univ. of Detroit Mercy) adds seven new chapters with updated film references and a new preface to this revision of Cinema in the Digital Age. Though the additions provide new insights, these are the only revisions, and those seeking a significantly revised and updated version of the first edition (CH, Feb'10, 47-3055) will be disappointed. However, for those new to Rombes's work, or not looking for extensive revisions, the text provides an essential overview of how the digital age continues to influence and impact cinema, illustrating in succinct, easy-to-digest chapters the symbiotic relationship between today's digital world and film. The additional seven chapters range from "Accelerationism," which deals with the speed of film and the expectation of accelerated pacing in today's digital age, to "The Reality Industrial Complex," which argues against the long-form, binge culture of the digital age and for the nuances and merits of the 90-minute film format. Like the first edition, Rombes's revised edition proves a relevant resource for film and digital media scholars. Summing Up: Highly recommended. With the above proviso. Lower-division undergraduates through faculty. --Antoinette F. Winstead, Our Lady of the Lake University

Copyright American Library Association, used with permission.
Review by Choice Review