After representation? : the Holocaust, literature, and culture /

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Bibliographic Details
Imprint:New Brunswick, N.J. : Rutgers University Press, c2010.
Description:xii, 242 p. ; 24 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/7906073
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Other authors / contributors:Spargo, R. Clifton.
Ehrenreich, Robert M.
United States Holocaust Memorial Museum.
ISBN:9780813545899 (alk. paper)
0813545897 (alk. paper)
9780813545905 (pbk. : alk. paper)
0813545900 (pbk. : alk. paper)
Notes:"Published in association with the United States Holocaust Memorial Museum."
Includes bibliographical references and index.
Table of Contents:
  • Preface
  • Introduction: On the Cultural Continuities of Literary Representation
  • Part 1. Is the Holocaust Still to Be Written?
  • 1. The Holocaust, History Writing, and the Role of Fiction
  • 2. Nostalgia and the Holocaust
  • 3. Death in Language: From Mado's Mourning to the Act of Writing
  • 4. Oskar Rosenfeld And Historiographic Realism (including Sex, Shit, and Status)
  • Part 2. A Question for Aesthetics?
  • 5. Nazi Aesthetics in Historical Context
  • 6. Writing Ruins: The Anachronistic Aesthetics of AndrĂ© Schwarz-Bart
  • 7. "If I forget thee, O Jerusalem": The Poetry of Forgetful Memory in Israel and Palestine
  • Part 3. How Does Culture Influence Memory?
  • 8. The Holocaust and the Economy of Memory, from Bellow to Morrison (The Technique of Figurative Allegory)
  • 9. "And in the Distance You Hear Music, a Band Playing": Reflections on Chaos and Order in Literature and Testimony
  • 10. Reading Heart of Darkness after the Holocaust
  • 11. Theorizing the Perpetrator in Bernhard Schlink's The Reader and Martin Amis's Time's Arrow
  • Contributors' Biographies
  • Index