Crimes of the art world /

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Bibliographic Details
Author / Creator:Bazley, Tom.
Imprint:Santa Barbara, Calif. : Praeger, c2010.
Description:xi, 230 p. ; 25 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/7994343
Hidden Bibliographic Details
ISBN:9780313360473 (hard copy : alk. paper)
0313360472 (hard copy : alk. paper)
9780313360480 (ebook)
0313360480 (ebook)
Notes:Includes bibliographical references and index.
Table of Contents:
  • Boxes, Figures, and Tables
  • Preface
  • 1. Art and Crime?
  • Two Intersecting Perspectives: Art and Criminology
  • Art: Why Is It Important? Why Is It Valuable?
  • Art Crimes
  • Case Studies
  • Art and Crime: In Summary
  • 2. Art Theft
  • Theft Offenses Generally: Larceny, Burglary, and Robbery
  • Larceny, Burglary, and Robbery of Art: What Do We Know about These Crimes?
  • Art Theft: The Offenders
  • After the Theft: What Becomes of Stolen Art?
  • Art Theft: In Summary
  • 3. Art Theft Continued: Selected Cases
  • 1911: Theft of the World's Most Famous Painting
  • 1967-1986: The Most Stolen Painting
  • 1969: Church of San Lorenzo, Palermo, Italy
  • 1972: Montreal Museum of Fine Arts
  • 1972: Musée de Bagnols-sur-Cèze, Gard, France
  • 1974-2002: Russborough House, Ireland
  • 1983: Burglars in Budapest
  • 1983-1989: Thefts by Argentine Police Officers
  • 1987: Nine Paintings Reported Missing from Dutch Gallery
  • 1988: Daytime Theft in Berlin
  • 1988: Van Goghs Stolen in Holland
  • 1991: Van Gogh Museum Robbed
  • 1993: Swedish Museum Theft
  • 1994: Picassos Stolen, in Switzerland
  • 1995: Titian Stolen from English Estate
  • 1998: Corot Painting Stolen at the Louvre
  • 1998: Modern Art Stolen in Rome
  • 2000: New Year's Burglary in Britain
  • 2000: Fake Monet Delays Theft Report
  • 2000: Armed Robbery at the National Museum in Stockholm
  • 2001: $65 Million in Artworks Stolen from Home of Spanish Billionaire in Madrid
  • 2002: Fake Sculpture Delays Theft Report
  • 2002: Major Thefts in the Netherlands: Van Gogh and Hals Museums
  • 2003: Vienna Museum Burglarized by Burglar Alarm Technician
  • 2003: Da Vinci Stolen from Scottish Castle
  • 2004: Valuable Paintings Stolen from a Hospital in Rome
  • 2005: Museum Burglary Nets Paintings and Silver in Holland
  • 2006: A Robbery in Rio during Carnival
  • 2007: Picasso's Paintings Stolen from His Granddaughter
  • 2007: Masked Gunmen Steal Four Paintings from a Museum in France
  • 2007: Valuable Picasso Stolen in Museum Burglary in Brazil
  • 2008: A Week of Major Thefts in Switzerland
  • 2008: Armed Robbery of Sao Paulo Museum
  • 2008: Daytime Residential Burglary in California Nets Millions
  • 2008: Priceless Work by Goya Stolen in Colombia
  • 2009: Church Burglary in Norway Nets Cranach Painting
  • 2009: Theft at Picasso National Museum in Paris
  • 4. Art Forgeries and Fakes
  • Theft versus Fraud
  • Forgery, Fakery, and Art Values
  • Forgery and Fakery: Antiquities
  • Forgery and Fakery: From the Renaissance to Modern Day
  • How Do They Do It? An Overview of Art Forgery Techniques
  • Distribution Networks: Marketing Forgeries and Fakes
  • Art Forgery and Fakery-In Summary
  • 5. Art Theft and Destruction: The Perils of Wars and Civil/Religious Unrest
  • World War II: The Nazi Plunder of Art
  • World War II (Continued): Repatriating the Nazi Plunder
  • Art Plunder in Times of War and Civil/Religious Unrest: The Dawn of the 21st Century
  • 6. Stealing the Past: The Looting of Cultural-Heritage Objects
  • The Theft of Cultural-Heritage Objects: The Scope of the Problem
  • Looting and Smuggling Networks
  • The Market for Looted Cultural-Heritage Objects: Museums and Collectors
  • Controlling the Looting of the World's Cultural Heritage: Issues and Policies
  • 7. White-Collar Crime in the Art World
  • White-Collar Crime: What Is It?
  • White-Collar Crime in the Art World: How Big of a Problem?
  • 8. Vandalism and Malicious Destruction
  • Destructive/Malicious Behavior
  • Art Vandalism/Destruction as a Form of Protest or Social Statement
  • Destroying Art for Profit
  • Vandalism/Malicious Destruction of Art: Disheartening, Disturbing, and Senseless
  • 9. Responding to Art Crime
  • International Law Enforcement Coordination: The Roles of the United Nations, Interpol, and Other Worldwide Organizations
  • Art-Crime Enforcement in the United States
  • Art-Crime Enforcement Beyond the United States
  • Art-Crime Enforcement: Private-Sector Contributions
  • 10. Security and Prevention: The Best Response to Art Crime
  • Protecting Art from Theft, Looting, and Vandalism
  • Forgeries, Fakes, and Counterfeits: Preventing Victimization and Deterring These Practices
  • Appendix A. Common Art-Object Categories: Definitions
  • Appendix B. Selected Art-Loss Databases
  • Selected Bibliography
  • Notes
  • Index