Phenomenology, modernism and beyond /

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Bibliographic Details
Imprint:Oxford ; New York : Peter Lang, 2010.
Description:xiii, 390 p. ; 23 cm.
Language:English
Series:Cultural interactions : studies in the relationship between the arts ; v. 10
Cultural interactions ; v. 10.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/8164333
Hidden Bibliographic Details
Other authors / contributors:Bourne-Taylor, Carole, 1968-
Mildenberg, Ariane, 1971-
ISBN:9783039114092 (alk. paper)
3039114093 (alk. paper)
Notes:Includes bibliographical references and index.
Table of Contents:
  • Acknowledgements
  • Preface
  • Introduction: Phenomenology, Modernism and Beyond
  • Part 1. The Reduction
  • Openings: Epoché as Aesthetic Tool in Modernist Texts
  • Self-Evidencing Life: Paradoxes of Reduction in Modernism, Phenomenology and Christianity
  • Part 2. The Invisible and the Unsayable
  • Proust, Merleau-Ponty, Deleuze and a Musical Phrase
  • Against Pre-Established Meanings: Revisiting Robbe-GrilletÆs Relation to Phenomenology
  • Part 3. Paths of Appearance in Early and Late Modernist Poetry
  • A Flaw in the Science of Transcendence: Hopkins and Husserl on æThisnessÆ
  • æThe Arduous Path of AppearanceÆ: Phenomenology and its Uncertainties in the Work of George Oppen
  • Part 4. Space and Place
  • On the Origin of Space
  • Home, Homelessness and the Wayward Subject in the Novels of James Joyce and Claude McKay
  • æI Already Live in the LandscapeÆ: Phenomenology and Modernist Landscapes
  • Part 5. New Lyricism: Beyond Phenomenology
  • The Paradoxical Ontology of Image
  • Phenomenology and Literary Experience
  • Figures of Immanence/Imminence: æEnigma VariationsÆ in Michel DeguyÆs Work
  • Notes on Contributors
  • Index