Phenomenology, modernism and beyond /
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| Imprint: | Oxford ; New York : Peter Lang, 2010. |
|---|---|
| Description: | xiii, 390 p. ; 23 cm. |
| Language: | English |
| Series: | Cultural interactions : studies in the relationship between the arts ; v. 10 Cultural interactions ; v. 10. |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/8164333 |
Table of Contents:
- Acknowledgements
- Preface
- Introduction: Phenomenology, Modernism and Beyond
- Part 1. The Reduction
- Openings: Epoché as Aesthetic Tool in Modernist Texts
- Self-Evidencing Life: Paradoxes of Reduction in Modernism, Phenomenology and Christianity
- Part 2. The Invisible and the Unsayable
- Proust, Merleau-Ponty, Deleuze and a Musical Phrase
- Against Pre-Established Meanings: Revisiting Robbe-GrilletÆs Relation to Phenomenology
- Part 3. Paths of Appearance in Early and Late Modernist Poetry
- A Flaw in the Science of Transcendence: Hopkins and Husserl on æThisnessÆ
- æThe Arduous Path of AppearanceÆ: Phenomenology and its Uncertainties in the Work of George Oppen
- Part 4. Space and Place
- On the Origin of Space
- Home, Homelessness and the Wayward Subject in the Novels of James Joyce and Claude McKay
- æI Already Live in the LandscapeÆ: Phenomenology and Modernist Landscapes
- Part 5. New Lyricism: Beyond Phenomenology
- The Paradoxical Ontology of Image
- Phenomenology and Literary Experience
- Figures of Immanence/Imminence: æEnigma VariationsÆ in Michel DeguyÆs Work
- Notes on Contributors
- Index
