The survival of soap opera : transformations for a new media era /

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Bibliographic Details
Imprint:Jackson : University Press of Mississippi, c2011.
Description:x, 344 p. ; 25 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/8282849
Hidden Bibliographic Details
Other authors / contributors:Ford, Sam.
Kosnik, Abigail De.
Harrington, C. Lee, 1964-
ISBN:9781604737165 (cloth : alk. paper)
1604737166 (cloth : alk. paper)
9781604737172 (ebook)
1604737174 (ebook)
Notes:Includes interviews that provide various perspectives of the soap opera television.
Includes bibliographical references and index.
Table of Contents:
  • Acknowledgments
  • Section 1. Challenges To The Future Of Soaps
  • Introduction: The Crisis of Daytime Drama and What It Means for the Future of Television
  • Perspective: Scholars Barbara Irwin and Mary Cassata on the State of U.S. Soap Operas
  • Perspective: Historian William J. Reynolds on Memories of The Edge of Night
  • Perspective: Writer Patrick Mulcahey on Changes in Soap Opera Writing Contracts
  • Perspective: Actor Tristan Rogers on Changes in Soaps' Industry, Audiences, and Texts
  • Daytime Budget Cuts
  • Agnes Nixon and Soap Opera ôChemistry Testsö
  • Giving Soaps a Good Scrub: ABC's Ugly Betty and the Ethnicity of Television Formats
  • The Way We Were: The Institutional Logics of Professionals and Fans in the Soap Opera Industry
  • Section 2. Capitalizing On History
  • Perspective: Scholar Horace Newcomb on the Pleasures and Influence of Soaps
  • Perspective: Scholar Robert C. Allen on Studying Soap Operas
  • Growing Old Together: Following As the World Turns' Tom Hughes through the Years
  • Perspective: Writer Kay Alden on What Makes Soaps Unique
  • Perspective: Scholar Nancy Baym on Soaps after the O. J. Simpson Trial
  • Of Soap Operas, Space Operas, and Television's Rocky Romance with the Feminine Form
  • The Ironic and Convoluted Relationship between Daytime and Primetime Soap Operas
  • Perspective: Scholar Louise Spence on Comparing the Soap Opera to Other Forms
  • Perspective: Scholar Jason Mittell on the Ties between Daytime and Primetime Serials
  • Preserving Soap History: What Will It Mean for the Future of Soaps?
  • Did the 2007 Writers Strike Save Daytime's Highest-Rated Drama?
  • Section 3. Experimenting With Production And Distribution
  • ôThe Rhetoric of the Camera in Television Soap Operaö Revisited: The Case of General Hospital
  • Its Not All Talk: Editing and Storytelling in As the World Turns
  • Guiding Light: Relevance and Renewal in a Changing Genre
  • The Evolution of the Production Process of Soap Operas Today
  • From Daytime to Night Shift: Examining the ABC Daytime/SOAPnet Primetime Spin-of Experiment
  • ôWhat the hell does TIIC mean?ö Online Content and the Struggle to Save the Soaps
  • The Evolution of the Fan Video and the Influence of YouTube on the Creative Decision-Making Process for Fans
  • Section 4. Learning From Diverse Audiences
  • Soaps for Tomorrow: Media Fans Making Online Drama from Celebrity Gossip
  • Soap Opera Critics and Criticism: Industry and Audience in an Era of Transformation
  • Hanging on by a Common Thread
  • Perspective: Fan Site Moderator QueenEve on Fan Activity around and against Soaps
  • The Role of ôThe Audienceö in the Writing Process
  • The ôMissing Yearsö: How Local Programming Ruptured Days of Our Lives in Australia
  • As the World Turns' Luke and Noah and Fan Activism
  • Constructing the Older Audience: Age and Aging in Soaps
  • References
  • Index