Brecht on theatre : the development of an aesthetic /

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Bibliographic Details
Author / Creator:Brecht, Bertolt, 1898-1956.
Imprint:New York : Hill and Wang ; London : Eyre Methuen, 1978.
Description:294 p. : ill., ports. ; 21 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/8354854
Hidden Bibliographic Details
Varying Form of Title:On theatre
Other authors / contributors:Willett, John.
ISBN:041338800X
9780413388001
0809005425
9780809005420
Notes:Bibliography: p. 284-285.
Table of Contents:
  • Introduction
  • Part One. 1918-1982 Frank Wedekind
  • A Reckoning Emphasis on Sport Three Cheers for Shaw Conversation with Bert Brecht
  • A Radio Speech Shouldn't we Abolish Aesthetics?
  • The Epic Theatre and its Difficulties Last Stage: Oedipus
  • A Dialogue about Acting On Form and Subject-Matter
  • An Example of Paedagogics
  • The Modem Theatre is the Epic Theatre
  • The Literarization of the Theatre
  • The Film, the Novel and Epic Theatre
  • The Radio as an Apparatus of Communication
  • The Question of Criteria for Judging
  • Acting Indirect Impact of the Epic Theatre
  • Part Two. 1988-1947 Interview with an Exile Theatre for Pleasure or Theatre for Instruction
  • The German Drama: pre-Hitler Criticism of the New York Production of Die Mutter
  • On the Use of Music in an Epic Theatre
  • Alienation Effects in Chinese Acting
  • Notes to Die Rundkopfe und die Spitzkopfe On Gestic Music
  • The Popular and the Realistic
  • Contents
  • On Rhymeless Verse with Irregular Rhythms
  • The Street Scene On Experimental Theatre
  • New Technique of Acting
  • Two Essays on Unprofessional Acting
  • Notes on the Folk Play Alienation Effects in the Narrative Pictures of the Elder Brueghel
  • A Little Private Tuition for my Friend Max Gorelik
  • Building up a Part: Laughton's Galileo 'Der Messingkauf': an editorial note
  • Part Three. 1947-1948 A Short Organum for the Theatre
  • Part Four. 1948-1966 Masterful Treatment of a Model From the Mother Courage
  • Model Does Use of the Model Restrict the Artist's Freedom?
  • Formal Problems Arising from the Theatre's
  • New Content Stage Design for the Epic Theatre
  • From a Letter to an Actor Some of the Things that can be Learnt from Stanislavsky
  • Theaterarbeit: an editorial note
  • Notes on Erwin Strittmatter's Play
  • Katzgraben Study of the First Scene of Shakespeare's
  • Coriolanus Cultural Policy and Academy of Arts
  • Conversation about being Forced into Empathy
  • Classical Status as an Inhibiting Factor Can the Present-day
  • World be Reproduced by Means of Theatre?
  • Appendices to the 'Short Organum' 'Dialectics in the Theatre': an editorial note
  • Our London Season
  • Other English Translations
  • Index