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| LEADER |
00000cjm a2200000Ia 4500 |
| 001 |
8516122 |
| 003 |
ICU |
| 005 |
20111027095000.0 |
| 007 |
sd fungnnmmneu |
| 008 |
110524s2011 nyujzn g h zxx d |
| 024 |
7 |
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|a 00075597964707
|
| 024 |
1 |
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|a 075597964707
|
| 028 |
0 |
2 |
|a 527912-2
|b Nonesuch
|
| 035 |
|
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|a (OCoLC)727713206
|
| 040 |
|
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|a BTCTA
|b eng
|c BTCTA
|d BKX
|d TEF
|d GRC
|d FXR
|d VP@
|d TJC
|d TDF
|
| 049 |
|
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|a CGUA
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| 050 |
|
4 |
|a M128.M48
|b W43 2011
|
| 082 |
0 |
4 |
|a 785.065
|2 23
|
| 100 |
1 |
|
|a Metheny, Pat
|4 prf
|0 http://id.loc.gov/authorities/names/n78096789
|1 http://viaf.org/viaf/22188874
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| 245 |
1 |
0 |
|a What's it all about /
|c Pat Metheny.
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| 246 |
3 |
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|a What is it all about
|
| 260 |
|
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|a New York :
|b Nonesuch,
|c p2011.
|
| 300 |
|
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|a 1 sound disc :
|b digital ;
|c 4 3/4 in.
|
| 336 |
|
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|a performed music
|b prm
|2 rdacontent
|0 http://id.loc.gov/vocabulary/contentTypes/prm
|
| 337 |
|
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|a audio
|b s
|2 rdamedia
|0 http://id.loc.gov/vocabulary/mediaTypes/s
|
| 338 |
|
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|a audio disc
|b sd
|2 rdacarrier
|0 http://id.loc.gov/vocabulary/carriers/sd
|
| 511 |
0 |
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|a Pat Metheny, guitars.
|
| 508 |
|
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|a Produced by Pat Metheny.
|
| 518 |
|
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|a Recorded Feb. 2011 in New York, N.Y.
|
| 500 |
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|a Compact disc.
|
| 500 |
|
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|a Notes printed in inside of container.
|
| 505 |
0 |
0 |
|t The sound of silence /
|r Paul Simon
|g (6:32) --
|t Cherish /
|r Terry Kirkman
|g (5:25) --
|t Alfie /
|r Burt Bacharach ; Hal David
|g (7:41) --
|t Pipeline /
|r Bob Spickard ; Brian Carman
|g (3:23) --
|t Garota de Ipanema /
|r Antonion Carlos Jobim ; Vinicius de Moraes
|g (5:07) --
|t Rainy days and Mondays /
|r Roger S. Nichols ; Paul H. Williams
|g (7:10) --
|t That's the way I've always heard it should be /
|r Carly Simon ; Jacob Brackman
|g (5:57) --
|t Slow hot wind /
|r Henry Mancini ; Normal Gimbel
|g (4:23) --
|t Betcha by golly, wow /
|r Thomas Bell ; Linda Creed
|g (5:12) --
|t And I love her /
|r John Lennon ; Paul McCartney
|g (4:22).
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| 520 |
|
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|a "This is a straight solo baritone guitar record (except instrument changes as noted); edits but no overdubs. And as in the previous solo baritone guitar record, One Quiet Night, the basic tuning used throughout this recording is A D G C E A.... I varied the tuning by keeping the same intervallic relationship but moving the entire tuning up and down on a tune-by-tune basis in a range form Ab to C."--Container.
|
| 650 |
|
0 |
|a Guitar music (Jazz)
|0 http://id.loc.gov/authorities/subjects/sh85057834
|
| 650 |
|
0 |
|a Jazz
|y 2011-2020.
|0 http://id.loc.gov/authorities/subjects/sh2011001717
|
| 650 |
|
7 |
|a Guitar music (Jazz)
|2 fast
|0 http://id.worldcat.org/fast/fst00949209
|
| 650 |
|
7 |
|a Jazz.
|2 fast
|0 http://id.worldcat.org/fast/fst00982165
|
| 648 |
|
7 |
|a 2011-2020
|2 fast
|
| 655 |
|
7 |
|a Jazz.
|2 fast
|0 http://id.worldcat.org/fast/fst01726653
|
| 903 |
|
|
|a HeVa
|
| 929 |
|
|
|a cat
|
| 999 |
f |
f |
|i 80b143be-4470-51ff-9d50-119bbace5603
|s 8e41fb95-86b9-508a-95cb-f29242e24e56
|
| 928 |
|
|
|t Shelving control number
|a Nonsuch 230
|p AudCD
|l ASR
|c ASR-RecASR
|i 1251373
|
| 927 |
|
|
|t Shelving control number
|a Nonsuch 230
|p AudCD
|l ASR
|c ASR-RecASR
|e BELL
|b 104297430
|i 8976203
|
