European aestheticism and Spanish American modernismo : artist protagonists and the philosophy of art for art's sake /

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Bibliographic Details
Author / Creator:Comfort, Kelly, 1975-
Imprint:Basingstoke ; New Y ork, NY : Palgrave Macmillan, 2011.
Description:vii, 180 p. ; 23 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/8533043
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ISBN:9780230278097 (hbk.)
0230278094 (hbk.)
Notes:Includes bibliographical references (p. 163-171) and index.
Summary:This study examines the changing role of art and artist during the turn-of-the-century period, offering a consideration of the multiple dichotomies of art and life, aesthetics and economics, production and consumption, and centre and periphery.
Table of Contents:
  • Acknowledgments
  • Introduction: Redefining the Role of Art and the Artist at the Turn of the Century
  • Part I. The Artist Avoids "Art for Life's Sake"
  • 1. The Artist as Critic and Liar: The Unreal and Amoral as Art in Oscar Wilde
  • 2. The Artist as Creative Receptor: The Subjective Impression as Art in José Asunción Silva
  • Part II. The Artist Protests "Art for the Market's Sake"
  • 3. The Artist as Elitist Taster: The Unprofaned and Unconsumed as Art in J. K. Huysmans
  • 4. The Artist as Creator Not Producer: The Unsold and Unappreciated as Art in Rubén Dario
  • Part III. The Artist Promotes "Life for Art's Sake"
  • 5. The Artist as Dandy-Aesthete: The Self as Art in Oscar Wilde and Thomas Mann
  • 6. The Artist as Dandy-Flaneur: The World as Art in Manuel Gutiérrez Nájera and Julián del Casal
  • Conclusion: Reconsidering the Relationship between Art and Life, Form and Content, Poetry and Prose
  • Notes
  • Bibliography
  • Index