Germany in the loud twentieth century : an introduction /

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Bibliographic Details
Imprint:New York : Oxford University Press, c2012.
Description:xiii, 184 p. : ill. ; 25 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/8541399
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Other authors / contributors:Feiereisen, Florence.
Hill, Alexandra Merley.
ISBN:9780199759385 (alk. paper)
0199759383 (alk. paper)
9780199759392 (alk. paper)
0199759391 (alk. paper)
Notes:Includes bibliographical references and index.
Table of Contents:
  • Acknowledgments
  • Contributors
  • Tuning in to the Aural Ether: An Introduction to the Study of German Sounds
  • Section 1. New Sounds in the Twentieth Century: Sounds, Noise, Silence
  • 1. Escaping the Urban Din: A Comparative Study of Theodor Lessing's Antilärmverein (1908) and Maximilian Negwer's Ohropax (1908)
  • 2. When Only the Ears Are Awake: Günter Eich and the Acoustical Unconscious
  • Section 2. Defining Space through Sound: Battlefields and Concert Halls
  • 3. The Sonic Mindedness of the Great War: Viewing History through Auditory Lenses
  • 4. From Seat Cushions to Formulae: Understanding Spatial Acoustics in Physics and Architecture
  • Section 3. East and West: Sounds in the Shadow of the Wall
  • 5. From the Boiler Room to the Hotel Room: Sound and Space in Wolfgang Hilbig's Das Provisorium (2000)
  • 6. Berlin Sounds: Audible Cartography of a Formerly Divided City
  • Section 4. The Politics of Sound: Walls with Ears
  • 7. Sound and Socialist Identity: Negotiating the Musical Soundscape in the Stalinist GDR
  • 8. Audibility Is a Trap: Aural Panopticon in The Lives of Others (2006)
  • Section 5. Soundscapers of the Millennium: Sound Art and Music Sounds
  • 9. Sound Art-New Only in Name: A Selected History of German Sound Works from the Last Century
  • 10. Ghettos, Hoods, Blocks: The Sounds of German Space in Rap and Hip-Hop
  • Select Bibliography and Further Readings
  • Index