Germany in the loud twentieth century : an introduction /
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Imprint: | New York : Oxford University Press, c2012. |
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Description: | xiii, 184 p. : ill. ; 25 cm. |
Language: | English |
Subject: | |
Format: | Print Book |
URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/8541399 |
Table of Contents:
- Acknowledgments
- Contributors
- Tuning in to the Aural Ether: An Introduction to the Study of German Sounds
- Section 1. New Sounds in the Twentieth Century: Sounds, Noise, Silence
- 1. Escaping the Urban Din: A Comparative Study of Theodor Lessing's Antilärmverein (1908) and Maximilian Negwer's Ohropax (1908)
- 2. When Only the Ears Are Awake: Günter Eich and the Acoustical Unconscious
- Section 2. Defining Space through Sound: Battlefields and Concert Halls
- 3. The Sonic Mindedness of the Great War: Viewing History through Auditory Lenses
- 4. From Seat Cushions to Formulae: Understanding Spatial Acoustics in Physics and Architecture
- Section 3. East and West: Sounds in the Shadow of the Wall
- 5. From the Boiler Room to the Hotel Room: Sound and Space in Wolfgang Hilbig's Das Provisorium (2000)
- 6. Berlin Sounds: Audible Cartography of a Formerly Divided City
- Section 4. The Politics of Sound: Walls with Ears
- 7. Sound and Socialist Identity: Negotiating the Musical Soundscape in the Stalinist GDR
- 8. Audibility Is a Trap: Aural Panopticon in The Lives of Others (2006)
- Section 5. Soundscapers of the Millennium: Sound Art and Music Sounds
- 9. Sound Art-New Only in Name: A Selected History of German Sound Works from the Last Century
- 10. Ghettos, Hoods, Blocks: The Sounds of German Space in Rap and Hip-Hop
- Select Bibliography and Further Readings
- Index