Sultans of the South : arts of India's Deccan Courts, 1323-1687 /

Saved in:
Bibliographic Details
Imprint:New York : Metropolitan Museum of Art ; New Haven, Conn. ; London : Distributed by Yale University Press, c2011.
Description:xiv, 322 p. : col. ill., maps ; 25 cm.
Language:English
Series:The Metropolitan Museum of Art symposia
Metropolitan Museum of Art symposia.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/8828499
Hidden Bibliographic Details
Other authors / contributors:Haidar, Navina Najat.
Sardar, Marika.
Metropolitan Museum of Art (New York, N.Y.)
ISBN:9781588394385 (pbk. : The Metropolitan Museum of Art)
1588394387 (pbk. : The Metropolitan Museum of Art)
9780300175875 (pbk. : Yale Univeersity Press)
0300175876 (pbk. : Yale Univeersity Press)
Notes:"Many of the essays published in this volume were presented at the Symposium 'The Art of India's Deccan Sultans,' held at the Metropolitan Museum of Art, New York, on October 24-26, 2008."
Includes bibliographical references (p. 308-321).
Summary:Between the 14th and the 17th century, the Deccan plateau of south-central India was home to a series of important and highly cultured Muslim courts. Subtly blending elements from Iran, West Asia, southern India, and northern India, the arts produced under these sultanates are markedly different from those of the rest of India and especially from those produced under Mughal patronage. This publication, a result of a 2008 symposium held at The Metropolitan Museum of Art, investigates the arts of Deccan and the unique output in the fields of painting, literature, architecture, arms, textiles, and carpet.
Review by Library Journal Review

The result of a symposium held at the Metropolitan Museum of Art in 2008, this book covers the distinctive artistic output of the Deccan sultanates-the five late-medieval, Muslim-ruled kingdoms of Bijapur, Golkonda, Ahmadnagar, Bidar, and Berar in south-central India-between 1323 and 1687. Editors Haidar (curator, department of Islamic art, Metropolitan Museum of Art) and Sardar (research associate, department of Islamic art, Metropolitan Museum of Art) aim to update prior research and to respond to and challenge earlier perceptions of Deccani art. They are joined by a team of international contributors whose well-researched, succinct essays are supported by abundant bibliographies and the presence throughout of never-before-published illustrations, photographs, and inscription transcriptions. Gracing nearly every page of this book are high-quality images of first-time-published Deccani paintings, new works of literature, newly identified and attributed carpets and textiles, and rarely studied architectural monuments. VERDICT This beautiful, smart, and important book is recommend for readers serious about studying Indian art or who find Indian art seriously beautiful.-Jennifer Krivickas, Coll. of DAAP Lib., Cincinnati (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Review by Library Journal Review