The Chicago manual of style.

The0 Chicago Manual of Style0 maintains its vitality by adapting to its ever-changing environment. None of the changes from one edition to the next are capricious; that which remains vital carries over, and that which must change, changes. From the 1906 first edition's limited focus as "a compilation of typographical rules" for books, it has evolved to provide guidance to authors and editors working in other forms and media such as journals, newsletters, Web sites, and even, with the fifteenth edition, American Sign Language. The editors now "assume throughout that most writers and editors, whether preparing print or nonprint works, use computer software." That assumption is most visible in the chapter dealing with presentation in type of mathematical expressions and formulas. Software has collapsed the division of labor between author and typesetter, giving the author the power to fulfill both roles simultaneously. Mathematicians have faced that special challenge; all scholars have been vexed by uncertainty about citing electronic resources. Various specialized manuals from other publishers have attempted to codify practices for citing electronic publications, but none has enjoyed the authority Chicago0 has earned over nearly a century. The fifteenth offers deeper guidance for citing electronic books, articles in e-journals, electronic editions of older works, and online newspapers and magazines. The clear, practical, and easily applied rules for citing these sources recognize the problem an author must solve when a URL is subject to change; they also offer advice on matters such as when to provide the date a cited e-work was accessed. U.S. copyright law, driven by the same technologies the fifteenth edition addresses, has also experienced significant changes. An expanded section on copyright offers clear albeit not exhaustive coverage of the current complexities of copyright. All authors would do well to study this primer. Chicago0 's mantra throughout is consistency in support of clarity. Helping authors and editors achieve consistency in practice when creating or editing a manuscript and presenting it to readers is Chicago0 's raison d'etre. The prescriptive tone of some entries serves consistency, but usage is determined by users of the language. Chicago0 acknowledges variants in practice, often noting that an author may use a variant even though its entry first describes preferred practice. Bowing to popular influence, the editors concede that they "no longer urge deletion of the n0 in 20 nd or the r0 in 3rd" and they "now recommend the month-day-year form of dates" prevalent in the U.S. The editors also have the wisdom and the experience to uphold rules that, if ignored, can create confusion in readers' minds. All of the rules and recommendations are easily accessible through the thorough index, a hallmark of every recent edition. New to the fifteenth is a lively chapter on grammar and usage contributed by Bryan A. Garner, author of Garner's Modern American Usage 0 (2d ed., Oxford, 2003; formerly A Dictionary of Modern American Usage0 ). Its first part reviews basic rules of English grammar, and the second offers succinct explanations of words easily misused (decimate, precondition)0 or confused (e.g., healthy0 and healthful;0 purposely0 and purposefully0 ). Added features discuss bias-free language and prepositional idioms. Evolution is never a lockstep uniform process. Although the heart of Chicago0 embraces changes wrought by digital publishing, its concluding bibliography lags. Only the print editions of general-purpose encyclopedias and several English-language dictionaries are noted. Even though the entry for the Oxford English Dictionary0 indicates its availability on CD-ROM, it neglects to mention its online incarnation. But one must not miss the forest for these few trees. As it has done again and again, Chicago0 offers sensible, clearly articulated, and defensible advice to authors and editors who want to do their best to present an author's text to readers. Every library that serves authors, especially those producing scholarly works, simply must0 have the current edition of Chicago.0 -- RBB Copyright 2003 Booklist

Countless publishing professionals have learned the details of their business from this classic guide for publishers, editors and writers. It's updated every 10 years or so, and the 15th edition is the most extensive revision in decades. The Internet's influence is pervasive, with substantial sections on preparing manuscripts for electronic publishing, editing for online publications and citing electronic sources. The "Rights and Permissions" chapter is by attorney William S. Strong (The trace the publication process for books and journals, both print and electronic, from manuscript development to distribution and marketing. For the first time, the manual includes a chapter on grammar and usage, by Bryan A. Garner (A Dictionary of Modern Usage). Gone is the 13-page table showing when to hyphenate compound words of all sorts, but it's replaced by a six-plus-page list and a narrative overview, which will be simpler for the overworked manuscript editor ("copyeditor" has vanished, and the index relegates "copyediting" to a cross-reference to manuscript editing) to use. Traditionalists may be bothered by the new edition's preference for ZIP Code state abbreviations and dropping periods from such abbreviations as Ph.D. and even U.S. Some things do remain the same. The style guide still endorses the serial comma (which PW does not) and numerals are still spelled out from one through one hundred and at the beginning of a sentence. Those in the publishing industry will need this edition, both for what's new and for what they will want to argue about. 150,000 first printing. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved

Since 1906, the incomparable Chicago Manual has been the reference for writers, editors, copyeditors, publishers, and anyone else working with words. This historic new edition reflects the huge impact that computer technology has had on writing and publishing in recent decades. Novelties include a new chapter on American English grammar and usage by Bryan A. Garner (A Dictionary of Modern American Usage), significant updates of copyright and permissions information, a new typographic presentation of American Sign Language, and an "almost new" chapter on mathematical copy, especially useful for electronic notations. From elements to proofreading marks to bias-free language, the manual provides directions, preferences, and even suggestions to the publishing and writing professional. Chapter 16, for example, concentrates on the two documentation systems preferred by Chicago: the notes and bibliographic system and the author-date system. Chapter 17 concentrates on the style and items of bibliographic entries, notes, and parenthetical citations, while also providing information on interview, audiovisual, manuscript, and legal citations. In comparison, Kate Turabian's A Manual for Writers of Term Papers, Theses, and Dissertations is a useful resource for students, but it does not tackle publication and production issues. The Publication Manual of the American Psychological Association, now in its fifth edition, also omits that information, while the MLA Style Manual and Guide to Scholarly Publishing, now in its second edition, is more directed to the author's needs. Meanwhile, Chicago encompasses a variety of fields and professions, making this significant revision an invaluable addition to all public, academic, and special libraries.-Marilyn Searson Lary, North George Coll. & State Univ. Lib., Dahlonega, GA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.