Ways of forgetting, ways of remembering : Japan in the modern world /

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Bibliographic Details
Author / Creator:Dower, John W.
Imprint:New York : New Press, c2012.
Description:viii, 324 p. : ill. ; 24 cm.
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/8945989
Hidden Bibliographic Details
ISBN:9781595586186 (hardcover : alk. paper)
1595586180 (hardcover : alk. paper)
Notes:Includes bibliographical references (p. [270]-271) and index.
Summary:A profound look at American and Japanese perceptions - past and present - of key moments in their shared history. An incisive investigation of the problems of public history and its role in a modern democracy, these essays are essential reading for anyone interested in postwar U.S.-Japan relations, as well as the broader discipline of history.
Review by Publisher's Weekly Review

No historian writes with more authority than this leading U.S. historian of modern Japan. MIT professor Dower's new work brings together a number of his essays written between 1993 and 2007 (only one earlier), and they show him at the top of his form. Most deal with Japan since WWII, although Dower (a Pulitzer winner for Embracing Defeat) invokes much earlier history. He's at his best, and unabashedly critical, when analyzing national hypocrisy and the misuses of history and memory, American as well as Japanese. His topics include Japanese racism along with the enthusiasm with which Japan went to war. He shows, through analyses of such cultural products as comics, playing cards, art, and clothing, how the Japanese themselves could ridicule as well as praise their leaders even in the midst of warfare's horrors and atomic catastrophe. Searing essays on Hiroshima round out the volume. Dower also tries to apply his knowledge to current policy issues, especially American ease in going to war. On slippery ground here, he walks it as deftly as anyone else. A set of serious, cautionary reflections from a superb historian. Illus. Agent: Georges Borchardt. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved
Review by Kirkus Book Review

A series of astute academic essays on the forging of postwar Japan. The winner of the Pulitzer Prize, National Book Award and Bancroft Prize, Dower (History Emeritus/MIT; Cultures of War: Pearl Harbor / Hiroshima / 9-11 / Iraq, 2010, etc.) is comfortable going against the grain. He was key to bringing back into print the significant work of forgotten Canadian historian E.H. Norman, whose deep research into the Meiji state revealed the authoritarian, feudal legacies that later helped drag Japan into imperial militarism, misery and defeat. In his essay on Norman, Dower shows how this approach contrasted with the postwar modernization theorists then in vogue, who held that Japan's militarism was essentially an aberration and hoped to put a positive spin on accomplishments since the Meiji era. Dower was told in 1970, during his time as a student, that his interest in the postwar occupation of Japan was "too recent to be history," foreshadowing some of the obfuscation he would later encounter. Other essays here, which appeared between 1993 and 2000, are fascinating explorations into Japanese racial theories, intense militaristic and racial propaganda, pervasive sense of "victim consciousness" and eruptions of reactionary language and a faulty sense of responsibility. "The Bombed" is a riveting analysis of the effects of the atomic bombs on the Japanese psyche. Thanks to the collusion of the U.S. government, which aimed for an easy occupation of the country, the Japanese were censored from venting expressions of outrage and grief over their government's rampant militarism and the end-of-war atomic apocalypse. Dower explores the dual role of science as both destroyer and postwar miracle worker, a lesson to be gleaned by both America and postwar Japan in terms of economic growth and military technology. Scrupulously researched and bravely presented scholarship.]] Copyright Kirkus Reviews, used with permission.

Copyright (c) Kirkus Reviews, used with permission.
Review by Publisher's Weekly Review


Review by Kirkus Book Review