Father and son : Nicola and Giovanni Pisano /

Saved in:
Bibliographic Details
Author / Creator:Seidel, Max.
Imprint:München : Hirmer Verlag GmbH, 2012.
Description:2 v. (468, 521 p.) : ill. ; 30 cm.
Language:English
Series:Series of the Kunsthistorisches Institut in Florenz, Max-Planck-Institut ; XV
Collana del Kunsthistorisches Institut in Florenz, Max-Planck-Institut ; 15.
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/8958987
Hidden Bibliographic Details
Other authors / contributors:Winkler, Ursula.
Pisano, Niccolò, 1206?-1280?
Pisano, Giovanni, 1240?-1320?
ISBN:9783777451015
3777451010
Notes:Includes bibliographical references (v. 1., p. 455-468).
Table of Contents:
  • Volume 1.
  • Introduction
  • Critical fortune
  • The gigantic contrast between father and son
  • More a genius than his father
  • The new Daedalus
  • The learned scholar in art
  • Precursor of the art of the Renaissance
  • Historical curiosities
  • "If Nicola's Mary really resembled a Juno and his Christ a Hercules, what would have been new in that?"
  • "From the pulpit of Siena the word of the new art is proclaimed"
  • The pulpit of Siena-A work by Giovanni?
  • Research perspectives
  • The dialogue with the masters of antiquity
  • Aspects of social history
  • Iconography
  • The study of social history
  • Documents concerning the pulpit of Siena
  • The payments
  • Rhythms of work
  • The total earnings of Nicola and Giovanni Pisano
  • Giovanni as "caput magistrorum" of the Opera del Duomo of Pisa
  • Giovanni attempts to equal his father's work rhythm
  • Giovanni renounces a more comfortable dwelling
  • Documents concerning Giovanni Pisano's activity as "caput magistrorum" of the Opera del Duomo of Pisa
  • Documentary appendix
  • The artist as iconographer
  • Foreword
  • Micro-iconography
  • Artes liberales
  • Testimonia ex prophetis et gentibus
  • Bestiarium
  • Vide lignum viride
  • Hercules
  • "Uno polpito alto e mangnio"
  • The dialogue
  • Foreword
  • Nicola and Giovanni Pisano
  • Arnolfo di Cambio
  • "Gothic counterrevolution?
  • The reception of the antique in thirteenth-century aesthetics
  • Art criticism 'with brush and chisel': how painters, sculptors and goldsmiths in the thirteenth and fourteenth century received the art of Nicola and Giovanni Pisano
  • Bibliography
  • Volume 2. The Plates
  • The dialogue between Nicola and Giovanni Pisano
  • Measurements
  • Arnolfo di Cambio
  • Gothic counterrevolution?
  • The reception of the antique