Rethinking Hanslick : music, formalism, and expression /
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| Imprint: | Rochester, NY : University of Rochester Press ; Woodbridge, Suffolk : Boydell & Brewer Limited, 2013. ©2013 |
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| Description: | xv, 360 pages : illustrations ; 24 cm. |
| Language: | English |
| Series: | Eastman studies in music, 1071-9989 ; v. 97 Eastman studies in music ; v. 97. |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/9048185 |
Table of Contents:
- Foreword
- Acknowledgments
- Abbreviations
- Chronology
- Introduction
- Part 1. Rules of Engagement
- 1. Negotiating the "Absolute": Hanslick's Path through Musical History
- 2. Hanslick's Composers
- 3. Hanslick, Legal Processes, and Scientific Methodologies: How Not to Construct an Ontology of Music
- 4. Otakar Hostinský, the Musically Beautiful, and the Gesamtkunslwerk
- Part 2. Liberalism and Societal Order
- 5. Hanslick on Johann Strauss Jr.: Genre, Social Class, and Liberalism in Vienna
- 6. Waltzing around the Musically Beautiful: Listening and Dancing in Hanslick's Hierarchy of Musical Perception
- 7. "Poison-Flaming Flowers from the Orient and Nightingales from Bayreuth": On Hanslick's Reception of the Music of Goldmark
- 8. German Humanism, Liberalism, and Elegy in Hanslick's Writings on Brahms
- Part 3. Memoirs and Meaning in Social Contexts
- 9. The Critic as Subject: Hanslick's Aus meinem Leben as a Reflection on Culture and Identity
- 10. "Faust und Hamlet in Einer Person": The Musical Writings of Eduard Hanslick as Part of the Gender Discourse in the Late Nineteenth Century
- 11. Body and Soul, Content and Form: On Hanslick's Use of the Organism Metaphor
- Part 4. Critical Battlefields
- 12. Hanslick and Hugo Wolf
- 13. Battle Rejoined: Hanslick and the Symphonic Poem in the 1890s
- 14. On "Jewishness" and Genre: Hanslick's Reception of Gustav Mahler
- Selected Bibliography
- List of Contributors
- Index
