F. Scott Fitzgerald in context /

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Bibliographic Details
Imprint:New York : Cambridge University Press, 2013.
Description:xxxviii, 476 pages : illustrations ; 24 cm
Language:English
Subject:
Format: Print Book
URL for this record:http://pi.lib.uchicago.edu/1001/cat/bib/9097567
Hidden Bibliographic Details
Other authors / contributors:Mangum, Bryant, 1943- editor of compilation.
ISBN:9781107009196
1107009197
Notes:Includes bibliographical references and index.
Summary:"The fiction of F. Scott Fitzgerald serves as a compelling and incisive chronicle of the Jazz Age and Depression Era. This collection explores the degree to which Fitzgerald was in tune with, and keenly observant of, the social, historical and cultural contexts of the 1920s and 1930s. Original essays from forty international scholars survey a wide range of critical and biographical scholarship published on Fitzgerald, examining how it has evolved in relation to critical and cultural trends. The essays also reveal the micro-contexts that have particular relevance for Fitzgerald's work - from the literary traditions of naturalism, realism and high modernism to the emergence of youth culture and prohibition, early twentieth-century fashion, architecture and design, and Hollywood - underscoring the full extent to which Fitzgerald internalized the world around him"--
Review by Choice Review

Meticulous and impressively broad in scope and content, this collection offers informative yet entertaining insight into virtually every aspect of Fitzgerald's life, work, development, and influences (literary and philosophical). Divided among six parts, the 40 essays capture significant historical and cultural aspects of the Jazz Age and the Depression, offering rich background material pertinent to understanding Fitzgerald and his art. Fitzgerald struggled with the necessity of making enough money to support his lifestyle and fund treatment for his wife's mental illness, but he all the while consciously cultivated his stature as one of the prominent writers of his generation. Zelda receives due consideration, in particular by Linda Wagner-Martin, as a writer and an "imaginative" and collaborative partner. In selecting the essays, which are gathered from international sources, Mangum (Virginia Commonwealth Univ.) avoids hagiography and includes writings that give evidence of Fitzgerald's high standing. These essays should be required reading for seminar classes featuring Fitzgerald. For that matter, anyone interested in Fitzgerald would do well to read the book in its entirety or choose at random from the interesting offerings. Summing Up: Highly recommended. All readers. L. A. Brewer Georgia Northwestern Technical College

Copyright American Library Association, used with permission.
Review by Choice Review