Maxwell, Sutton, and the birth of color photography : a binocular study /
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| Author / Creator: | Cat, Jordi. |
|---|---|
| Edition: | 1st ed. |
| Imprint: | New York : Palgrave Macmillan, 2013. |
| Description: | xiv, 165 p. ; 23 cm. |
| Language: | English |
| Series: | Palgrave pivot Palgrave pivot. |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/9339176 |
Table of Contents:
- List of Illustrations
- Preface and Acknowledgments
- 1. Introduction: Shared Media, Differing Projects and Projections
- 2. Enter Maxwell
- 3. Photographic Illustrations
- 4. What Objectivity? Whose Objectivity? Automatic Objectivity Is Social and Scientific
- 5. Photography Organized, Mechanized and Scientific: From Amateurs to Professionals
- 6. Photography as Instrument and Profession: Art versus Science
- 7. Photographic Collaborations: Two More Cases
- 8. Maxwell's Pictorial and Photographic Background
- 9. Methodology of Experimental Inaction
- 10. Enter Sutton
- 11. The Place of Collaboration and Chemistry between Men
- 12. Technologies of Projection and Color: Different Problems and Images. Color and Truth
- 13. A Tale of Two Experiments: From Professional to Cognitive Autonomy
- 14. Photographic Consequences
- 15. Conclusion
- References
- Index
