Composing for the cinema : the theory and praxis of music in film /

Saved in:

Bibliographic Details
Author / Creator:	Morricone, Ennio, author.
Uniform title:	Comporre per il cinema. English
Imprint:	Lanham : The Scarecrow Press, Inc., [2013] ©2013
Description:	xiv, 295 pages : illustrations ; 24 cm
Language:	English
Subject:	Motion picture music -- Instruction and study. Composition (Music) Composition (Music) Motion picture music -- Instruction and study.
Format:	Print Book
URL for this record:	http://pi.lib.uchicago.edu/1001/cat/bib/9794284
Related Items:	Translation of: Comporre per il cinema.

Hidden Bibliographic Details
Other authors / contributors:	Miceli, Sergio, 1944- author. Anderson, Gillian B., 1943- Anderson, Gillian B., 1943- translator.
ISBN:	9780810892408 (cloth : alkaline paper) 0810892405 (cloth : alkaline paper) 9780810892415 (paperback : alkaline paper) 0810892413 (paperback : alkaline paper) 9780810892422 (electronic) 0810892421 (electronic)
Notes:	Translation of: Morricone, Ennio. Comporre per il cinema, 2001. Includes bibliographical references and index.
Other form:	Online version: Morricone, Ennio. Composing for the Cinema. Lanham : Scarecrow Press, 2013 9780810892422

Table of Contents:

Translator's Note
Editor's Note
Acknowledgments
Abbreviations
1. Introduction: The Composer in the Cinema
2. Audiovisual Analysis-Part 1
3. Production Procedures
4. Audiovisual Analysis-Part 2: Elements for the Definition of a Film-Musical Dramaturgy
5. Premix and Final Mix: The Recording and Sound Design
6. Compositional Elements: Timbre, Use of Themes, Characteristic Stylistic Features, and Combinations of Styles
7. Questions and Answers
Appendix 1. Composing for the Cinema: A Manifesto
Appendix 2. Writing for the Cinema: Aspects and Problems of a Compositional Activity of Our Time
Filmography
Bibliography [to 1999]
Index
About the Authors and Translator

Similar Items