Theorizing art cinemas : foreign, cult, avant-garde, and beyond /
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| Author / Creator: | Andrews, David, 1970- author. |
|---|---|
| Edition: | First edition. |
| Imprint: | Austin : University of Texas Press, 2013. |
| Description: | xviii, 289 pages : illustrations ; 24 cm |
| Language: | English |
| Subject: | |
| Format: | Print Book |
| URL for this record: | http://pi.lib.uchicago.edu/1001/cat/bib/9798306 |
Table of Contents:
- Preface
- Acknowledgments
- Introduction: Correcting Art Cinema's Partial Vision
- Part 1. Art, Auteurism, and the World
- Chapter 1. Art as Genre as Canon: Defining "Art Cinema"
- Chapter 2. No Start, No End: Auteurism and the Auteur Theory
- Chapter 3. From "Foreign Films" to "World Cinema"
- Part 2. Formats and Fetishes
- Chapter 4. Recovery and Legitimation in the Traditional Art Film
- Chapter 5. Losing the Asterisk: A Theory of Cult-Art Cinema
- Chapter 6. Revisiting "The Two Avant-Gardes"
- Chapter 7. Sucking the Mainstream: A Theory of Mainstream Art Cinema
- Part 3. Institutions and Distributions
- Chapter 8. Re-integrating Stardom (... or Technology or Reception or ...)
- Chapter 9. Art Cinema as Institution, Redux: Art Houses, Film Festivals, and Film Studies
- Chapter 10. Art Cinema, the Distribution Theory
- Epilogue
- Beyond, Before Cinephilia
- Notes
- Filmography
- Bibliography
- Index
